Beethoven
Symph1 i(1-19)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1799
Adagio-Sonata Allegro
ORCH
Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found from 1795. Unusually, Beethoven starts the first movement with a sequence of repeatedly accentuated dominant-tonic chord sequences, however, in the "wrong" key and untouching and leading away from the tonic, so that the listener only gradually realizes the home key of the symphony.
i Adagio molto,4/4 – Allegro con brio, 2/2 in C Major
Duration:
01:17
Independent parts:
18
Audio channels:
19
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
NewWorld ii(1-5)
2cl, 2bsn/3horn, 2tr, 3trb, tuba
Late Romantic
1893
Adagio-Sonata Allegro
WW+piano
The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178, popularly known as the New World Symphony, was composed by Antonín Dvo_ák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It is by far his most popular symphony, and one of the most popular of all symphonies. Neil Armstrong took a recording of the New World Symphony to the Moon during the Apollo 11 mission, the first Moon landing, in 1969. The second movement, Largo, opens with a series of dense chords before settling into the key of D-flat major for one of the most famous english horn tunes ever written, one that combines tenderness, nostalgia, and a sense of resolute hopefulness.
ii Largo, 4/4 in D-flat major and later C-sharp minor
This piece is reserved for teachers.
Duration:
00:31
Independent parts:
14
Audio channels:
15
Stereo preview:
Score preview:
60 KB PDF file
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
Symph39K543 i(26-71)
1fl, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1788
Adagio-Sonata Allegro
ORCH
The Symphony No. 39 in E-flat major, K. 543, was completed on 26 June 1788. It seems to be impossible to determine the date of the premiere of the 39th Symphony on the basis of currently available evidence; in fact, it cannot be established whether the symphony was ever performed in the composer's lifetime. The first movement opens with a majestic introduction with fanfares heard in the brass section. This is followed by an Allegro in sonata form.
i Adagio, 4/4 – Allegro, 3/4 in E-flat Major
Duration:
01:03
Independent parts:
15
Audio channels:
16
Stereo preview:
Score preview:
96 KB PDF file
Instrumentation
1fl, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
Symph36K425 i(20-42)
2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1783
Andante-Sonata Allegro
ORCH
Mozart wrote the Symphony No. 36 in C major, K. 425, (known as the Linz Symphony) during a stopover in the Austrian town of Linz on his and his wife's way back home to Vienna from Salzburg in late 1783. The entire symphony was written in four days to accommodate the local count's announcement, upon hearing of the Mozarts' arrival in Linz, of a concert. The première in Linz took place on 4 November 1783. The Symphony no. 36 is Mozart's first symphony with a slow introduction in the first movement.
i Adagio, 3/4 — Allegro spiritoso, 4/4 en C Major
Duration:
00:36
Independent parts:
14
Audio channels:
15
Stereo preview:
Score preview:
80 KB PDF file
Instrumentation
2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Schubert
Symph9 i(580-611)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr, 3trb/timp/strings
Early Romantic
1825
Andante-Sonata Allegro
ORCH
The Symphony No. 9 in C major, D. 944, known as the Great, is the final symphony completed by Franz Schubert. Originally called The Great C major to distinguish it from his Symphony No. 6, the Little C major, the subtitle is now usually taken as a reference to the symphony's majesty. Unusually long for a symphony of its time, a typical performance of The Great takes around 55 minutes. The first movement begins with an extensive introduction with its own miniaturized exposition, development and recapitulation. The opening theme is used in a modified form as secondary subject matter in the main section of the movement. The rest of the movement is in sonata form with two periods for each theme and several transition themes and extra material. The opening theme of the introduction is restated in the coda before the final cadences.
i Andante - Allegro ma non troppo - Piu Moto, 2/2 in C Major
Duration:
00:32
Independent parts:
21
Audio channels:
23
Stereo preview:
Score preview:
120 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Tchaikovsky
Serenade i(1-15)
String Orchestra
Late Romantic
1880
Andante-Sonatina
STRINGS+REDUC+piano
Tchaikovsky's Serenade for Strings in C major, Op. 48, was composed in 1880. The Serenade was given a private performance at the Moscow Conservatory on 3 December 1880. Its first public performance was in St Petersburg on 30 October 1881. Tchaikovsky intended the first movement to be an imitation of Mozart's style, and it was based on the form of the classical sonatina, with a slow introduction. The stirring 36-bar Andante introduction is marked "sempre marcatissimo" and filled with double-stops in the violins and violas, forming towering chordal structures. This introduction is restated at the end of the movement, and then reappears, transformed, in the coda of the fourth movement, tying the entire work together.
i Pezzo in forma di sonatina: Andante non troppo — Allegro moderato, 6/8 in C Major
Duration:
00:54
Independent parts:
8
Audio channels:
8
Stereo preview:
Score preview:
83 KB PDF file
Instrumentation
String Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ravel
MereL'oye Pavane(20 mes)
2fl, 2*ob, 2cl/1horn/harp/strings
Modern
1911
Binary
ORCH+piano
Ma mère l'Oye (Mother Goose) is a work of Maurice Ravel after the tales of Charles Perrault (The Sleeping Beauty and Little Tom Thumb, 1697), Madame Leprince de Beaumont (Beauty and the Beast, 1757) and Mrs. Aulnoy (Serpentine green, 1697). There are three versions: the original first, written for piano four hands (between 1908 and 1910), the second is for a modest "Ravel" orchestra (1911), the latter, extended and scored for larger forces, was adapted for a ballet choreographed by Jeanne Hugard (1912). Ravel composed the piece for the children of his friends Ida and Cipa Godebski, Mimie and Jean. Mother Goose reflects the taste of the musician, unmarried and childless, for a "children" thematic which is also found later in L'Enfant et les Sortilèges. The piano version was meant to be played by young hands and its public premiere on April 20, 1910, was given by two children aged six and ten respectively.
Unlike his Daphnis and Chloé of the same period using large instrumental and vocal forces, Ravel wrote Mother Goosefor a small symphony orchestra; this orchestral "intimacy", almost "chamber like", favours solo parts and subtle blends of timbre, it evokes the special and enchanting atmosphere of children's tales as we also find in Carnival of the Animals by Camille Saint-Saëns and Peter and Wolf by Sergei Prokofiev.
i. Pavane de la Belle au bois dormant (Lent, = 58)
ii. Petit Poucet (Très modéré, = 66)
iii. Laideronnette, Impératrice des Pagodes (Mouvement de marche, = 116)
iv. Les entretiens de la Belle et de la Bête (Mouvement de Valse très modéré, = 50)
v. Le Jardin féerique (Lent et grave, = 56)
Duration:
01:31
Independent parts:
18
Audio channels:
18
Stereo preview:
Score preview:
96 KB PDF file
Instrumentation
2*fl, 2*ob, 2cl, 2*bsn/2horn/timp, 3perc/harp/celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Schumann
AlbumJung 1(20 mesx4)
2fl, 3*ob, 2cl, 3*bsn
Romantic
1848
Binary
WW(Bouliane)+piano
Album for the Young (Album für die Jugend), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the Kinderszenen, they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (Kleine Romanze), is marked Für Erwachsenere (For more grown-up ones) and contains more demanding pieces.
Nº 1, Melodie, Nicht schnell (Not Fast), 4/4 in C Major
This piece is reserved for teachers.
Duration:
03:14
Independent parts:
12
Audio channels:
12
Stereo preview:
Score preview:
160 KB PDF file
Instrumentation
WWinds (4 versions): trio, quintet, octet, decet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Choral Jesu, meine Freude (Motet BVW 227), Excerpt (2bars)
Strings
Baroque
1653
Choral
Strings
Not Available
Duration:
02:00
Independent parts:
0
Audio channels:
5
Stereo preview:
Score preview:
to be completed
Instrumentation
Strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Choral Jesu, meine Freude (Motet BVW 227), Excerpt (2bars)
Woodwinds
Baroque
1653
Choral
Woodwinds
Not Available
Duration:
04:41
Independent parts:
0
Audio channels:
12
Stereo preview:
Score preview:
to be completed
Instrumentation
Woodwinds
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ravel
PavaneInfante (72 mes)
2fl, 1ob, 2cl, 2bsn/2horn/harp/strings
Modern
1910
Complex Ternary Variation
ORCH+piano
The Pavane pour une infante défunte (Pavane for a Dead Princess) is a well-known piece written for solo piano by the French composer Maurice Ravel in 1899 when he was studying composition at the Conservatoire de Paris under Gabriel Fauré. Ravel also published an orchestrated version of the Pavane in 1910. Ravel described the piece as "an evocation of a pavane that a little princess [infanta] might, in former times, have danced at the Spanish court". The pavane was a slow processional dance that enjoyed great popularity in the courts of Europe during the sixteenth and seventeenth centuries. This antique miniature is not meant to pay tribute to any particular princess from history, but rather expresses a nostalgic enthusiasm for Spanish customs and sensibilities, which Ravel shared with many of his contemporaries (most notably Debussy and Albéniz) and which is evident in some of his other works such as the Rapsodie espagnole and the Boléro. Ravel dedicated the Pavane to his patron, the Princesse de Polignac. He published it in 1900, but it attracted little attention until the Spanish pianist Ricardo Viñes gave the first performance on April 5, 1902. The work soon became very popular, although Ravel came to think of it as "poor in form" and unduly influenced by the music of Chabrier.
Pavane, Modérément animé, 4/4 in G Major
Duration:
06:32
Independent parts:
21
Audio channels:
19
Stereo preview:
Score preview:
200 KB PDF file
Instrumentation
2fl, 1ob, 2cl, 2bsn/2horn/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Schönberg
VNacht (1-30)
String Sextet: 2vl, 2vla, 2vc soli
Late Romantic
1899
Compound Sonata Form with Episodes
STRINGS+REDUC+piano
Transfigured Night op. 4 (Verklärte Nacht) is a work for string sextet (two violins, two violas, two cellos), composed by Arnold Schoenberg in 1899. In the summer of 1899, the musician falls in love with Mathilde, sister of Alexander von Zemlinsky with whom he will marry later. He composed the piece in less than three weeks. This is an early work, written before his dodecaphonic period, with strong passionate accents of late romanticism. We can perceive the influence of Wagner and Brahms and some harmonic sequences strongly evoke Tristan und Isolde. Although an early work, it already goes well beyond the conventions of the time. The young twenty-five years old Schönberg has already assimilated and surpassed the art of the great German romantic masters while remaining within the boundaries of the tonal system. This early masterpiece remains one of the most played and most acclaimed works of the future innovative Viennese.
The piece is based on a a poem from The Woman and the world (Weib und Welt) by Richard Dehmel, a friend of the musician. The text later published separately under the title "Zwei Menschen: Roman in Romanzen" describes an evening walk of a loving couple whose wife says she is expecting a child of another. Her lover stresses the importance of motherhood and assures him that he is willing to endorse this child. They walk happy, under the moon, in that transfigured night.
Transfigured Night, in D Minor/Major
Duration:
02:26
Independent parts:
6
Audio channels:
9
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
String Sextet: 2vl, 2vla, 2vc soli
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
SymphFantastique-Choral v(205-215)
4horn, 2tr, 3trb
Romantic
1830
Cyclic
BRASS+REDUC
Hector Berlioz’s Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts, Op.14 is a program symphony written in 1830. It is a seminal piece of the early Romantic period. The first performance was at the Paris Conservatoire in December 1830. Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature. Berlioz wrote about the fifth movement in those terms: “He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts… The dance of the witches combined with the Dies irae!”
v “Dream of a Witches' Sabbath”, Larghetto, 4/4 in C Major
This piece is reserved for teachers.
Duration:
00:12
Independent parts:
9
Audio channels:
11
Stereo preview:
Score preview:
54 KB PDF file
Instrumentation
2*fl, 2*ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/4timp, 4perc, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph7 ii(1-130)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Double Variation
ORCH+REDUC+piano
Beethoven composed the Symphony No. 7 in A major, Op. 92, between 1811 and 1812, while improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries. At its première, Beethoven was noted as remarking that it was one of his best works. The second movement in A minor has a tempo marking of Allegretto (a little lively), making it slow only in comparison to the other three movements; it was encored at the premiere and has remained popular since. Its reliance on the string section makes it a good example of Beethoven's advances in orchestral writing for strings, building on the experimental innovations of Haydn. The movement is structured in a double variation form. It begins with a sforzando 6/4 chord played by the winds followed by the main motive played by the violas, cellos and basses: an ostinato of a quarter note, two eighth notes and two quarter notes. This melody is then played by the second violins while the violas and cellos play a second melody, described by George Grove as "a string of beauties hand-in-hand". The first violins then take the first melody while the second violins take the second. This progression culminates with the wind section playing the first melody while the first violin plays the second. The music changes later from A minor to A major as the clarinets take a calmer melody to the background of light triplets played by the violins. This section ends thirty-seven bars later with a quick descent of the strings on an A minor scale, and the first melody is resumed and elaborated upon in a strict fugato.
ii Allegretto, 2/4 in A minor
Duration:
04:40
Independent parts:
18
Audio channels:
21
Stereo preview:
Score preview:
150 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Baril
Un Horla, Scènes I, II, III
horn, perc, el guit, vl, vc, db/ solo soprano
21st Century
2012
Episodic
Copyrights Félix Frédéric Baril
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
25:25
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
horn, perc, el guit, vl, vc, db/ solo soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symph8 i(193-262)
3fl, 3ob, 3cl, 3*bsn/8horn, 3tr, 3trb, tuba/timp/strings
Late Romantic
1887
Extended Sonata
ORCH
Anton Bruckner's Symphony No. 8 in C minor is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 in Vienna. It is dedicated to the Emperor Franz Joseph I of Austria. This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself. In structure, the opening movement is a typically Brucknerian three-subject sonata form, though handled with more panache than in his previous works. The development was substantially refined in 1890. In both versions, this section of the movement contains a massive, augmented three-part statement of the main theme, impressively given on full orchestra, rises pitch-wise by a third until the orchestra drops away, leaving a single flute accompanied by a timpani. In the recapitulation, the third theme leads to a great climax for the entire orchestra. For the 1890 version, the triumphant ending was cut, and the despondent passage extended by a few bars to form a pianissimo coda in itself. This quiet, sombre ending is for low winds and low strings in a thoroughly bleak C minor, and there is no doubt from contemporary letters of Bruckner that it represented death in some way.
i Allegro moderato, 2/2 in C Minor
Duration:
02:36
Independent parts:
32
Audio channels:
34
Stereo preview:
Score preview:
180 KB PDF file
Instrumentation
3fl, 3ob, 3cl, 3bsn/8horn(5-8+wagtuba), 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Schubert
Symph9 iv(543-564)
1fl, 2ob, 1cl/2horn/timp/strings
Early Romantic
1825
Extended Sonata
ORCH
The Symphony No. 9 in C major, D. 944, known as the Great, is the final symphony completed by Franz Schubert. Originally called The Great C major to distinguish it from his Symphony No. 6, the Little C major, the subtitle is now usually taken as a reference to the symphony's majesty. Unusually long for a symphony of its time, a typical performance of The Great takes around 55 minutes. The finale is in an extended sonata form. There are no less than six unique elements in the main themic group alone and an extensive use of ostinato in accompaniment of two of the thematic elements.
iv Finale. Allegro vivace, 2/4 in C Major
Duration:
00:13
Independent parts:
10
Audio channels:
13
Stereo preview:
Score preview:
100 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
PnoCrto14K449 iii(1-16)
2ob/2horn/strings
Classical
1782
Final Rondo
ORCH
The Piano Concerto No. 14 by Wolfgang Amadeus Mozart, written in 1784, is in E-flat major, catalogued as K. 449, and dedicated to the pianist Babette Ployer, his student. With the 14th Piano Concerto Mozart is at the crossroads of the old form to a new classical concept of the piano concerto. For the last time, he indicates for the Winds only “ad libitum”. The final Rondo begins with a descending theme in the strings. The innovative end of the movement is characterized by a double coda with a change of time signature.
iii Allegro ma non troppo, 2/2 in E-flat Major
Duration:
00:25
Independent parts:
9
Audio channels:
10
Stereo preview:
Score preview:
74 KB PDF file
Instrumentation
2ob/2horn/strings/SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Vaughan Williams
ALondonSymphony-Symph2 i(1-53)
3*fl, 3*ob, 3*cl, 3*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc (cymb, grosse caissse)/harp/strings
Modern
1918
Lento-Sonata Allegro
ORCH+REDUC
A London Symphony is the second symphony composed by Ralph Vaughan Williams. First performed in 1914, the four-movement work was lost, reconstructed and later modified by Vaughan Williams. The composer said that while the title may suggest a programmatic piece (and the work includes sounds heard in London such as the Westminster Quarters), it was intended to be heard as absolute music. In a programme note in 1920, he suggested that "Symphony by a Londoner" might be a better title. The work opens quietly with large divisi strings, and after a few nocturnal bars, the Westminster chimes are heard, played on the harp. After a short dramatic pause, the allegro risoluto section begins, much of it triple forte, vigorous and brisk, and the ensuing second subject is dominated by the wind and brass. After a contrasting gentle interlude scored for string sextet and harp, the vigorous themes returns and brings the movement to a lively close, with full orchestra playing fortissimo.
i Lento – Allegro risoluto, 3/2 in G Major
Duration:
03:22
Independent parts:
41
Audio channels:
43
Stereo preview:
Score preview:
240 KB PDF file
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph3 ii(1-8,105-116)
2bsn/strings
Classical
1803
March Fugato
ORCH+piano(1-8)
The Symphony No. 3 in E-flat major, Opus 55 (also Sinfonia Eroica, Heroic Symphony) is a structurally rigorous composition which marked the beginning of the creative middle-period of Ludwig van Beethoven. Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution. In autumn of 1804, Beethoven withdrew his dedication of the third symphony to Napoleon. The second movement is a funeral march in C minor with a trio in C major, and comprises multiple fugatos. Musically, the thematic solemnity of the second movement lends it use as a funeral march proper.
ii Marcia funebre, Adagio assai, 2/4 in C minor
Duration:
01:28
Independent parts:
7
Audio channels:
9
Stereo preview:
Score preview:
94 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph97 iii(1-8)
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Menuetto
ORCH
The Symphony No. 97 in C major, Hoboken I/97, is the fifth of the so-called twelve London Symphonies (numbers 93-104). It was completed in 1792 as part of the set of symphonies composed on Haydn's first trip to London. It was first performed at the Hanover Square Rooms in London on 3 or 4 May 1792. First published in England, it made its way to the continent a few years later and was used by Ludwig van Beethoven as a model for a symphony in C major he never completed.
iii Menuetto e Trio. Allegretto, 3/4 in C Major
Duration:
00:15
Independent parts:
16
Audio channels:
17
Stereo preview:
Score preview:
76 KB PDF file
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph100Military iii(50-65)
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Menuetto
ORCH
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve so-called London Symphonies written by Joseph Haydn and completed in 1793 or 1794 during his second trip to London. It is popularly known as the Military Symphony. In contrast to Haydn's trend of speeding up his minuets, he slows here the pace of the third movement back to Moderato providing a more old-fashioned aristocratic minuet. The work is in standard classical four movement form.
iii Menuetto: Moderato, 3/4 in G Major
Duration:
00:22
Independent parts:
18
Audio channels:
17
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
Divertim10K247 iii(1-12)
2horn/strings
Classical
1776
Menuetto
ORCH+piano
The Divertimento No. 10 for 2 horns & strings in F major (“Erste Lodronische Nachtmusik”, First Night Music of Lodron), K. 247 was written in 1776. Mozart composed a matching pair of works, this one and the Divertimento in B flat, K.287 exactly one year later, to commemorate the name day of Countess Maria Antonia Lodron, a family friend and member of the Salzburg aristocracy. The two divertimenti are nearly identical in structure and dimension. The third movement of Divertimento No. 10 is a minuet which makes use of the horns to dramatic effect.
iii Menuetto & Trio, 3/4 in F Major
Duration:
00:20
Independent parts:
7
Audio channels:
9
Stereo preview:
Score preview:
78 KB PDF file
Instrumentation
2horn/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
SerenadeK250 iii(1-40)
2fl, 2bsn/2horn/strings
Classical
1776
Menuetto
ORCH
The Serenade for orchestra in D major, K. 250 (248b), popularly known as the Haffner Serenade, is an eight movements work commissioned by Sigmund Haffner, Mozart’s friend, to be used in the course of the festivities before the wedding of his sister Marie Elisabeth Haffner. The Serenade was first played on 21 July 1776, on the eve of the wedding. The third movement in G minor features a prominent violin solo.
iii Menuetto – Trio, 3/4 in G minor
Duration:
01:12
Independent parts:
11
Audio channels:
12
Stereo preview:
Score preview:
99 KB PDF file
Instrumentation
2fl(OR 2ob), 2bsn/2horn, 2tr/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
Symph35K385 iii(1-8)
2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1782
Menuetto
ORCH+REDUC+piano
The Symphony No. 35 in D major, K. 385, was composed in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner the Younger's ennoblement. The symphony is in four movements. The third movement, Menuetto, is constant tug between two main chords – the tonic and dominant. Only three times do we see chords other than this two.
iii Menuetto and Trio, 3/4 in D Major
Duration:
00:27
Independent parts:
14
Audio channels:
17
Stereo preview:
Score preview:
76 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
Symph40K550 iii(126 mes)
1fl, 2ob, 2cl, 2bsn/2horn/strings
Classical
1788
Menuetto
ORCH+piano(43-84)
Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote. The work is in four movements, in the usual arrangement for a classical-style symphony. The minuet begins with an angry, cross-accented hemiola rhythm and a pair of three-bar phrases repeated at the end and framing a contrasting gentle trio section in G Major.
iii Menuetto, Allegretto – Trio, 3/4 in G minor
Duration:
03:17
Independent parts:
14
Audio channels:
15
Stereo preview:
Score preview:
140 KB PDF file
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mozart
Symph41K551 iii(1-16)
1fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1788
Menuetto
ORCH
Wolfgang Amadeus Mozart completed his Symphony No. 41 in C major, K. 551, on 10 August 1788. It was the last symphony that he composed, and also the longest. The work is nicknamed the Jupiter Symphony. This name stems not from Mozart but rather was likely coined by the impresario Johann Peter Salomon in an early arrangement for piano. The four movements are arranged in the traditional symphonic form of the Classical era. The third movement, a Menuetto marked allegretto is similar to a Ländler, a popular Austrian folk dance form.
iii Menuetto, Allegretto – Trio, 3/4 in C Major
Duration:
00:38
Independent parts:
15
Audio channels:
16
Stereo preview:
Score preview:
90 KB PDF file
Instrumentation
1fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Tchaikovsky
Mozartiana MinuetRetouched(1-24)
2fl, 1ob, 2cl, 2bsn/2horn/strings
Late Romantic
1887
Menuetto
ORCH+piano
The Orchestral Suite No. 4, Op. 61, in G Major, more commonly known as Mozartiana, is an orchestral suite by Pyotr Ilyich Tchaikovsky, written in 1887 as a tribute to Wolfgang Amadeus Mozart on the 100th anniversary of that composer's opera Don Giovanni. Because this suite consists of four orchestrations of piano pieces by Mozart, Tchaikovsky did not add it to his previous three suites for orchestra. Instead, he considered it a separate work entitled Mozartiana even if it is often referred to as his suite No. 4. Tchaikovsky conducted the premiere himself, in Moscow in November 1887. The graceful Minuet orchestrates Mozart’s Minuet for piano, K. 355, written in 1780. Although some have accused Tchaikovsky of a "cavalier" treatment of Mozart's works, Tchaikovsky's affection as well as his playful ingenuity in this artful homage to his idol are never in doubt.
ii Menuet, Moderato, 3/4 in D Major
Duration:
00:54
Independent parts:
14
Audio channels:
18
Stereo preview:
Score preview:
130 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Stravinsky
4 Etudes iv-Madrid(112 mes)
3*fl, 3*ob, 3cl, 2bsn/4horn, 4tr, 4trb, tuba/timp/pno/strings
Modern
1928
Modified Rondo
ORCH+REDUC(1-44)
The first three of Stravinsky's Four Etudes for orchestra are adaptations of the composer's Three Pieces for String Quartet (1914), to which he appended an arrangement of his Etude for Pianola (1917), originally composed directly onto a piano roll -- a format that, obviously, greatly limited performance possibilities. When Stravinsky assembled these arrangements ca. 1929, he gave new titles to each of the movements. In the opening "Danse," the woodwinds sound a repetitive figure over harsh punctuation from the strings. The woodwinds are again highlighted in the playful, abrupt "Excentrique," which, according to the composer, was inspired by the antics of the English clown Little Tich. The slow-moving, somewhat dissonant, vaguely ominous chant-like tune of "Cantique" moves between the winds and strings. The piece on which the fourth Etude was based had been written during a tour of Spain by the Ballets Russes. Stravinsky was inspired to write an homage to the country, incorporating traditional Spanish rhythms and melodic gestures; when he orchestrated it as the last of the Etudes, he renamed it, appropriately enough, "Madrid." The Four Etudes were premiered in Berlin on November 7, 1930 under the direction of long-time Stravinsky champion Ernest Ansermet.
iv. "Madrid", Allegro con moto
Duration:
02:32
Independent parts:
32
Audio channels:
34
Stereo preview:
Score preview:
330 KB PDF file
Instrumentation
3*fl, 3*ob, 3cl, 2bsn/4horn, 4tr, 4trb, tuba/timp/pno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symph4 i(1-57)
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/strings
Romantic
1885
Modified Sonata
ORCH+piano
The Symphony No. 4 in E minor, Op. 98 is Johannes Brahms' last symphony. He began working on the piece in 1884, just a year after completing his Symphony No. 3. The work was given its premiere in Meiningen on October 25, 1885 with Brahms himself conducting. The symphony is rich in allusions, mostly to various Beethoven compositions. The first movement is in sonata form, although it features some unique approaches to development. For instance, there is no repeat of the exposition; according to the late Malcolm MacDonald, the music is so "powerfully organic and continuously unfolding" that such a repeat would hinder forward progress. The opening theme is initially serene in character, although its composition in a chain of descending thirds adds a fateful air. Its left-versus-right fragmented melodic form also introduces a feeling of conflict which Brahms uses as a fundamental motivation throughout the movement.
i Allegro non troppo, 3/4 in E Minor
Duration:
01:45
Independent parts:
20
Audio channels:
21
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symph1 i(1-22, 356-363)
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/strings
Late Romantic
1888
Modified Sonata
ORCH
The Symphony No. 1 in D major by Gustav Mahler was mainly composed between late 1887 and March 1888. The work was premièred in Budapest in 1889, but was not well received. Mahler made some major revisions for the second performance, given at Hamburg in October 1893; further alterations were made in the years prior to the first publication, in late 1898. Some modern performances and recordings give the work the title "Titan", despite the fact that Mahler only used this label for two early performances, and never after the work had reached its definitive four-movement form in 1896. The first movement is in modified sonata form, with a substantially slow introduction which begins eerily with a seven-octave drone in the strings on A, with the upper octaves being played on harmonics in the violins over which the winds build a sort of primal motive. This opening is very true to Mahler's style, putting the emphasis on the winds, and not more traditionally on the strings. The mood then lightens to mark the beginning of the exposition. The main theme is recycled from the second of Mahler's “Lieder eines fahrenden Gesellen”, entitled "Ging heut' Morgen über's Feld”. The recapitulation is marked by a new French horn fanfare. The energy is gradually built up as before, bringing the movement to a fiery and humorous close.
i Slowly, dragging & very restrained throughout, 4/4 in D Major
Duration:
01:26
Independent parts:
39
Audio channels:
44
Stereo preview:
Score preview:
190 KB PDF file
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Schubert
Symph9 ii(300-310)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr, 3trb/timp/strings
Early Romantic
1825
Modified Sonata
ORCH
The Symphony No. 9 in C major, D. 944, known as the Great, is the final symphony completed by Franz Schubert. Originally called The Great C major to distinguish it from his Symphony No. 6, the Little C major, the subtitle is now usually taken as a reference to the symphony's majesty. Unusually long for a symphony of its time, a typical performance of The Great takes around 55 minutes. The second movement is in a modified sonata form (ABAB) without a development section.
ii Andante con moto, 2/4 in A minor
Duration:
00:21
Independent parts:
21
Audio channels:
22
Stereo preview:
Score preview:
120 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Sibelius
Symph2 ii(150-203)
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Early Modern
1902
Modified Sonata
ORCH
Jean Sibelius began composing his Symphony No. 2 in D major, op. 43 during his stay in Rapallo in Italy early 190. It was completed in 1902 in Finland.
The trip to Italy was made at the incentive of a friend, Baron Axel Carpelan to which Sibelius dedicated this work. This invitation fell into a tormented period of the composer's life: his daughter had died of typhus in the previous year, and Finland was experiencing political unrest. It's under the pseudonym "X" that Carpelan addressed a surprising letter to the young Sibelius (35), at the beginning of the summer of 1900: "You have wasted your time long enough staying at home, Mr. Sibelius - it's enough! It's time for you to travel. Preferably, you should spend the fall and winter in Italy. The eternal Italy, a country where one is able to learn the cantabilità, proportions and harmony, plasticity and symmetry of lines ... You know very well how significant Italy was for the artistic development of Richard Strauss or Tchaikovsky! " At first taken aback and surprised, Sibelius received a stipend from a patron provided by Baron Carpelan, allowing him this Italian trip.
During his stay in Rapallo and Florence, Sibelius sketched a symphonic poem in four parts on the life of Don Juan. He brought everything in Helsinki in May 1901 to finally use it as the frame of his second symphony which he completed at the end of the year or early 1902. But the final composition does not bear any trace of Don Juan nor Mozart or Dante, as originally planned. The work was created March 8, 1902 in Helsinki by the composer conducting the Helsinki Philharmonic and was immediate popular success that made Sibelius a national hero. The first and last movements, heroic and optimistic, were possibly what the Finnish public needed in 1902, under the yoke of Russian oppression.
The symphony four movements and lasts about forty-five minutes. It has sometimes been called, without irony, the "Pathétique tchaïkovskienne in Finnish dialect." In this piece, Sibelius displays above all a rhapsodic conception, a free and often very contrasting structure; he achieves a genuine and personal style while speaking a universal symphonic language.
Second Movement:
In his villa in Rapallo, Sibelius wrote in his sketchbook: "Don Juan: I was sitting in the dark in my castle when a stranger entered. I asked who he could be again and again — but there was no answer. I tried to make him laugh but he remained silent. At last the stranger began to sing — then I knew Juan knew who it was. It was death." On the same piece of paper, Sibelius wrote the bassoon theme for the first part of the second movement, out of which the pizzicatoed string "walking bass" stems. Two months later in Florence, he drafted the second theme, with a note reading "Christus," perhaps symbolizing the death and resurrection of the movement, or even of Finland. Scholars also suggest that Sibelius modeled the second movement after Dante's Divine Comedy. Robert Kajanus proposes that the movement "strikes one as the most broken-hearted protest against all the injustice that threatens at the present time to deprive the sun of its light and our flowers of their scent." The movement culminates with a towering, brassy theme, following by an ethereal, mist-like motif in the divided strings.
ii -Tempo andante followed by multiple tempi variations, in D minor/Major
Duration:
03:44
Independent parts:
30
Audio channels:
28
Stereo preview:
Score preview:
210 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Strauss, Richard
DonJuan (37-40)
4horn, 3tr, 3trb, tuba
Late Romantic
1889
Modified Sonata Rondo Symphonic Poem
BRASS+piano
Don Juan, Op. 20, is a tone poem in E major for large orchestra written by Richard Strauss in 1888 when he was only twenty-four years old. It is singled out by musicologist Carl Dahlhaus as a "musical symbol of fin-de-siècle modernism", particularly for the "breakaway mood" of its opening bars. The premiere of Don Juan took place on 11 November 1889 in Weimar, conducted by the composer. The work became an international success and established Strauss's reputation. The tone poem is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau. The through-composed work begins with an effusive introduction in E major and a powerful woodwind theme for the title character. This is followed by lyrical themes with solo violin and oboe, alternating with the hero's theme that accompany the courtship of womanizing. After a surprising general pause the work ends in deceasing E Minor. The challenges of the work make excerpts from Don Juan a staple of orchestral audition lists for many instruments.
Don Juan: Allegro molto con brio, 2/2 in E Major
This piece is reserved for teachers.
Duration:
00:08
Independent parts:
11
Audio channels:
13
Stereo preview:
Score preview:
44 KB PDF file
Instrumentation
3fl, 3*ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Strauss, Richard
Tod-und-VerklarungOp24 (428-460)
3fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp/2 harp/strings
Late Romantic
1890
Modified Sonata Symphonic Poem
ORCH
Death and Transfiguration (Tod und Verklärung), Op. 24, is a tone poem for large orchestra by Richard Strauss, begun in the late summer of 1888 and completed on November 18, 1889. The music depicts the death and transfiguration of an artist. At Strauss's request, this epic was described in a poem by composer's friend Alexander Ritter, after the music was composed, to preface the score. The music is in free sonata form (A-B-C)–(A’-B’-C’)–(B"-C") and begins with an Largo introduction followed by a inflamed Allegro molto agitato. The massive death motif B is first presented with a sudden fortissimo of the bass drum and scathing brasses. Demonic lower strings then alternate with strongly accented tutti. This first emotional climax softens gradually into the grandiose Transfiguration motive C. The work ends with a coda based on the Transfiguration motive in luscious full orchestral sound, moving towards what seems like a heavenly apex which soon dissolves, while maintaining its assertive character. The style is reminiscent of the musical language of Richard Wagner, a strong influence on Richard Strausss’ idiom.
Death and Transfiguration: Largo – Allegro molto agitato, 4/4 in C Major
Duration:
02:35
Independent parts:
36
Audio channels:
34
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Tchaikovsky
Symph4 i-Intro(1-26)
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Late Romantic
1877
Modified Sonata Symphonic Poem
ORCH+REDUC+piano
Pyotr Ilyich Tchaikovsky's Symphony No. 4 in F minor, Op. 36, was written between 1877 and 1878. Its first performance took place at a Russian Musical Society concert in Moscow on February 22, 1878, with Nikolai Rubinstein as conductor. In Middle Europe it sometimes receives the nickname "Fatum," or "Fate." The symphony opens with horns and woodwinds, and trumpets join with a higher A-flat. As the music solidifies into large, slow syncopated chords, Tchaikovsky unleashes the musical equivalent of lightning bolts: two short fortissimo chords, each followed by a long measure of silence. As the music ebbs away, the woodwinds hint at the main melody, which is properly introduced by the strings at the Moderato con anima. Much later in the movement, the same A-flat is played by the trumpets. This movement is marked by continual introductions of the fate motif, the A-flat phrase. The motive serves as a separation between each section of the sonata-allegro form.
i Andante sostenuto — Moderato con anima — Moderato assai, quasi Andante — Allegro vivo, 3/4 in F Minor
Duration:
01:12
Independent parts:
24
Audio channels:
29
Stereo preview:
Score preview:
160 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Schönberg
5Pieces i(1-25)
3*fl, 3*ob, 4*cl, 4*bsn/4horn, 1tr, 2trb, tuba/harp/strings
Modern
1909
Musical Prose
ORCH
The Five Pieces for Orchestra (Fünf Orchesterstücke Op. 16) were composed by Arnold Schoenberg in 1909. The work further develops the notion of "total chromaticism" that Schoenberg introduced in his Three Piano Pieces Op. 11 (composed earlier that year) and were written during a time of intense personal and artistic crisis. The Five Pieces and their world premiere in London at a Promenade Concert on September 3, 1912, conducted by Henry Wood. Schoenberg explains in a note added to the 1949 revision of the score, "The conductor needs not try to polish sounds which seem unbalanced, but watch that every instrumentalist plays accurately the prescribed dynamic, according to the nature of his instrument. There are no motives in this piece which have to be brought to the fore". The Five Orchestral Pieces are intensely expressionistic, more emotional than abstract, where motives build on motives. Schoenberg avoids a clear sense of meter as well as triadic harmony, increasing the sense of fragmentation. The first piece, “Premonitions” is based on essentially three elements: a short, fanfare-like motive, often outlining an augmented triad; a trichord D, A-sharp, C-sharp virtually omnipresent; and a relentless multiphasic ostinato. The ostinato dominates the middle section (tutti orchestration and varied rates of speed) while the trichord triumphs at the close (low brass, flutter-tongue, crescendo) over the ostinato (cello and double-bass, diminuendo) and the descending modified fanfare motive in the low woodwinds.
i Vorgefühle: Sehr rasch (Premonitions: very fast), 3/8
Duration:
00:31
Independent parts:
28
Audio channels:
29
Stereo preview:
Score preview:
130 KB PDF file
Instrumentation
4*fl, 4*ob, 4*cl, 3*bsn/4horn, 3tr, 4trb, tuba/timp, 3perc/harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Smetana
Ma Vlast iiMoldau(185-228)
2fl, 2cl/4horn, 3trb, tuba/harp/strings
Romantic
1874
Musical Prose
ORCH
Ma vlast (meaning "My homeland" in the Czech language) is a set of six symphonic poems composed between 1874 and 1879 by Czech composer Bedrich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way, the six pieces were conceived as individual works. They had their own separate premieres between 1875 and 1880; the premiere of the complete set took place on 5 November 1882 in Zofín Palace, Prague, under Adolf Cech. In these works Smetana combines the symphonic poem form pioneered by Franz Liszt with the ideals of nationalistic music which were current in the late nineteenth century. Each poem depicts some aspect of the countryside, history, or legends of Bohemia.
Vltava, also known by its German name Die Moldau (or The Moldau), was composed in 1874 and was premiered on 4 April 1875 under Adolf Cech. It is about 13 minutes long. In this piece, Smetana uses tone painting to evoke the sounds of one of Bohemia's great rivers. In his own words:
"The composition describes the course of the Vltava, starting from the two small springs, the Cold and Warm Vltava, to the unification of both streams into a single current, the course of the Vltava through woods and meadows, through landscapes where a farmer's wedding is celebrated, the round dance of the mermaids in the night's moonshine: on the nearby rocks loom proud castles, palaces and ruins aloft. The Vltava swirls into the St John's Rapids; then it widens and flows toward Prague, past the Vysehrad, and then majestically vanishes into the distance, ending at the Labe (or Elbe)."
The piece contains Smetana's most famous tune. It is an adaptation of the melody La Mantovana, attributed to the Italian renaissance tenor, Giuseppe Cenci, which, in a borrowed Romanian form, was also the basis for the Israeli national anthem, Hatikvah.
Vltava (The Moldau), Allegro commodo non agitato, 6/8 in E minor
Duration:
02:23
Independent parts:
20
Audio channels:
20
Stereo preview:
Score preview:
200 KB PDF file
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Wagner
Tristan-Prelude(111 mes) ORCH.mus
3*fl, 3*ob, 3*cl, 3bsn/4horn, 2tr, 3trb, tuba/timp/strings
Romantic
1857
Musical Prose
ORCH
The music of the Prelude to Tristan und Isolde is in constant transformation, projecting a seemingly unbroken arc of intensification followed by release. It thus seems to defy traditional formal analysis, which aims to articulate music into discrete units with clearly differentiated functions. Yet the Prelude, despite its continuously developmental nature, is characterized by constant repetition of only three formal units, which are subjected to significant surface variation but retain their underlying melodic, harmonic, and linear identities. This process, which would seem to be overly segmental, is reconciled with the ongoing quality of the music. There is first the circular arrangement of the three repeating units, along with their relation to five brief passages that occur but once; then the circularly repeating harmonic-linear pattern they project. The Prelude's formal units differ from traditional ones in that they are designed to emerge out of those preceding them and flow into those that follow, avoiding strong segmentation. The music is thus revealed to have a unique, yet easily comprehensible, overall tonal and formal design that supports, rather than contradicts, its evolutionary nature. (Robert P. Morgan)
Tristan, Overture, Langsam und schmachtend, 6/8 in A Minor
Duration:
10:42
Independent parts:
28
Audio channels:
29
Stereo preview:
Score preview:
150 KB PDF file
Instrumentation
3*fl, 3*ob, 3*cl, 3bsn/4horn, 2tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
NoctOp15 1(1-40)
2fl, 2ob, 2cl, 2bsn/4horn, 1tr, 3trb/timp/strings
Romantic
1830
Nocturne
ORCH(Glazunov)+piano
The Nocturnes, Op. 15 are a set of three written by Frédéric Chopin between 1830 and 1833. The work was published in January 1834, and was dedicated to the German composer, pianist and conductor Ferdinand Hiller, a friend of Chopin. Nocturne Nº 1 was composed in 1832 in simple ternary form (A-B-A). The first section in F major is marked Andante cantabile while the second section in F minor is a fast and dramatic Con fuoco. In 1892, Alexander Glazunov orchestrated diverse pieces by Chopin. Sharing the love of many Russian composers for Chopin's music, Glazunov displayed a magnificent sense of style and orchestral skills. The piano pieces did not become any heavier but got a new sound in a new facet.
Nº 1, Andante cantabile, 3/4 in F Major
Duration:
02:09
Independent parts:
25
Audio channels:
25
Stereo preview:
Score preview:
160 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
NoctOp37 1(1-42)
WWind Decet: 2fl, 2ob, 2cl, 2bsn/2horn
Romantic
1838
Nocturne
WW(Bouliane)+piano
The Nocturnes Op. 37 are a set of two written by Frédéric Chopin in 1840. Unusually, neither piece carries a dedication. Nocturne Nº 1 is in ternary form and comprises the sudden shift in character between the mournful and searching melodies of the A section and the more serene B section’s brief chorale-like measures in E-flat major. The piece is in total 91 measures long, ending with a Picardy third.
Nº 1, Andante sostenuto, 4/4 in G Minor
This piece is reserved for teachers.
Duration:
02:39
Independent parts:
14
Audio channels:
12
Stereo preview:
Score preview:
150 KB PDF file
Instrumentation
WWind Decet: 2fl, 2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
NoctOp48 1(1-24)
2fl, 2ob, 2cl, 2bsn/2horn/strings
Romantic
1840
Nocturne
ORCH(Bouliane)+piano
The Nocturnes Op.48 are a set of two written by Frédéric Chopin in 1841, dedicated to Mlle. Laure Duperré, and published the following year in 1842. Chopin later sold the copyright for the nocturnes for 2,000 francs along with several other pieces. The Nocturne Nº 1 in C minor has been categorized as one of Chopin's greatest emotional achievements. It starts lento, becomes poco più lento and enters its middle section: a magnificent chorale. Later, it moves to doppio movimento agitato. In general, the scheme of the music is ternary form and follows A-B-A'.
Nº 1, Lento, 4/4 in C Minor
This piece is reserved for teachers.
Duration:
01:40
Independent parts:
21
Audio channels:
17
Stereo preview:
Score preview:
150 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, I.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, II.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, IIII.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, IV.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Brass CHORDS, Trumpet, Trombone, Horn, Tuba, 17 voicings
Brasses
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:23
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Brasses MUTES, Trumpet, Trombone, Horn, Tuba, 11 examples
Brasses
Not Available
2023
Not Available
Not Available
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Duration:
02:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Generic Brasses, Trumpet, Trombone, Horn, Tuba, Sforzandi, Swells, Gliss.
Brasses
Not Available
2023
Not Available
Not Available
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Duration:
00:42
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Generic Horns, Horns 7 examples
Brasses
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:26
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Generic WoodWinds, WoodWinds 12 examples
Woodwinds
Not Available
2023
Not Available
Not Available
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Duration:
03:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Woodwinds
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Orchestral CHORDS, 9 Different spacings and doublings
Orchestra
Not Available
2023
Not Available
Not Available
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Duration:
01:24
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Orchestral EFFECTS, sfz, Dovetailing, Coloring, 12 examples
Orchestra
Not Available
2023
Not Available
Not Available
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Duration:
02:34
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
WoodWind CHORDS, Flutes, Oboes, Clarinets, Bassoons, 29 voicings spacings, doublings
Woodwinds
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Woodwinds
Orchestral effects
to be completed
Orchestration techniques
to be completed
Andriessen
De Staat, one large movement
4*ob/4horns, 4tr, 4trb/2el guit, 1el bassguit/2harps, 2pnos/violas (all amplified)
Late 20th Century
1976
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*ob/4horns, 4tr, 4trb/2el guit, 1el bassguit/2harps, 2pnos/violas (all amplified)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Andriessen
De Materie Part II, "Hadewijch", Hadewijch
3fl, 2altsax, 2tensax, 1barsax/4tr, 4trb/2perc, 2pns(2.elpno), 1synth, uprightpn(behind)/2el guit, 1el bassguit/ 4 female voices (all amplified)
Late 20th Century
1988
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3fl, 2altsax, 2tensax, 1barsax/4tr, 4trb/2perc, 2pns(2.elpno), 1synth, uprightpn(behind)/2el guit, 1el bassguit/ 4 female voices (all amplified)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Andriessen
De Materie Part III, "De Stijl", "De Stijl"
3fl, 2ob, 2Eh, 5cl, 2basscl, 1contrabasscl/4horns, 4tr, 4trb, 1tuba/5perc, 1harp, 2pnos, 2synths, 2el guit, 1el bassguit/4vl, 2vla, 2vc, 1db/ 8 solo voices(2S.2A.2T.2B.) (all amplified)
Late 20th Century
1988
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 2ob, 2Eh, 5cl, 2basscl, 1contrabasscl/4horns, 4tr, 4trb, 1tuba/5perc, 1harp, 2pnos, 2synths, 2el guit, 1el bassguit/4vl, 2vla, 2vc, 1db/ 8 solo voices(2S.2A.2T.2B.) (all amplified)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Antheil
Ballet Mecanique, One large movement
original orchestration: 16 player pianos (or pianolas) in four parts, 2 regular pianos, 3 xylophones, at least 7 electric bells, 3 propellers, siren, 4 bass drums, and 1 tam-tam
Modern
1924
Not Available
Not Available
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Duration:
16:06
Independent parts:
0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
original orchestration: 16 player pianos (or pianolas) in four parts, 2 regular pianos, 3 xylophones, at least 7 electric bells, 3 propellers, siren, 4 bass drums, and 1 tam-tam
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, I. Allegro
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:26
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, II. Agagio
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
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Duration:
04:31
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, III. Allegro
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, IV. Menuetto - Polacca
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:12
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 2, I. Allegro
fl, ob/tr/hpsd/strings/solo Vl
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:26
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
fl, ob/tr/hpsd/strings/solo Vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 2, II. Andante
fl, ob/tr/hpsd/strings/solo Vl
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:47
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
fl, ob/tr/hpsd/strings/solo Vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 2, III. Allegro assai
fl, ob/tr/hpsd/strings/solo Vl
Baroque
1713
Not Available
Public Domain
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Duration:
03:38
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
fl, ob/tr/hpsd/strings/solo Vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV 51, V. Alleluja!
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
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Duration:
02:27
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, I. Aria: Jauchzet Gott in allen Landen!
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
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Duration:
00:00
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, II. Recitative: Wir beten zu dem Tempel an
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, III. Aria: Hochster, mache deine Gute
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, IV. Chorale: Sei Lob und Preis mit Ehren
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Barber
Symphony No. 1, I Andante mon non troppo
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Modern
1936
Not Available
Public Domain
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Duration:
07:13
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Barber
Symphony No. 1, II Allegro molto
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Modern
1936
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:30
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Barber
Symphony No. 1, III Andante tranquillo
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Modern
1936
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 1, I. Andante sostenuto
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Modern
1908
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:44
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 1, II. Allegro giocoso
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Modern
1908
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
12:37
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 1
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:07
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 2
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 3
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:28
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 4
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 5
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 6
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:27
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 7
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Prolog "Night"
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
14:30
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, I. Moderato
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:30
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, II. Allegro molto
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:11
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, III. Allegro vivace
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:43
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, IV. Molto tranquillo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:34
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, V. Comodo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:58
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, VI. Finale (Allegro)
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:54
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
String Quartet No.4, I. Allegro
StringQtet
Modern
1928
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
String Quartet No.4, II. Prestissimo, con sordino
StringQtet
Modern
1928
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
String Quartet No.4, III. Non troppo lento
StringQtet
Modern
1928
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
String Quartet No.4, IV. Allegretto pizzicato
StringQtet
Modern
1928
Not Available
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Duration:
02:43
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
String Quartet No.4, V. Allegro molto
StringQtet
Modern
1928
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
StringQtet No. 5, III. Scherzo
StringQtet
Modern
1934
Not Available
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Duration:
05:01
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Music for Strings, Percussion and Celesta, I. Andante tranquillo
String Orchestra/perc
Modern
1936
Not Available
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Duration:
06:33
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Music for Strings, Percussion and Celesta, II. Allegro
String Orchestra/perc
Modern
1936
Not Available
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Duration:
07:22
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Music for Strings, Percussion and Celesta, III. Adagio
String Orchestra/perc
Modern
1936
Not Available
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Duration:
06:50
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Music for Strings, Percussion and Celesta, IV. Allegro molto
String Orchestra/perc
Modern
1936
Not Available
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Duration:
06:35
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Sonata for Two Pianos and Percussion, I. Assai lento - Allegro molto
2pianos, 2 perc
Modern
1937
Not Available
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Duration:
13:00
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0
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2 (Naxos)
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to be completed
Instrumentation
2pianos, 2 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Sonata for Two Pianos and Percussion, II. Lento, ma non troppo
2pianos, 2 perc
Modern
1937
Not Available
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Duration:
06:37
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0
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2 (Naxos)
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to be completed
Instrumentation
2pianos, 2 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Sonata for Two Pianos and Percussion, III. Allegro non troppo
2pianos, 2 perc
Modern
1937
Not Available
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Duration:
06:15
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0
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2 (Naxos)
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to be completed
Instrumentation
2pianos, 2 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 2, I. Allegro non troppo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Modern
1938
Not Available
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Duration:
16:12
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 2, II. Andante tranquillo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Modern
1938
Not Available
Public Domain
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Duration:
10:25
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 2, III. Allegro molto
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Modern
1938
Not Available
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Duration:
11:26
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Divertimento for Strings, I. Allegro bon troppo
String Orchestra
Modern
1939
Not Available
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Duration:
09:45
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra
Orchestral effects
to be completed
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to be completed
Bartok
Divertimento for Strings, II. Molto Adagio
String Orchestra
Modern
1939
Not Available
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Duration:
09:48
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Divertimento for Strings, III. Allegro assai
String Orchestra
Modern
1939
Not Available
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Duration:
07:20
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0
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2 (Naxos)
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to be completed
Instrumentation
String Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, II. Giuoco della coppie (Allegretto scherzando)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
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Duration:
06:11
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, III. Elegia (Andante, non troppo)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
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Duration:
06:33
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, IV. Intermezzo interrotto (Allegretto)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
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Duration:
04:03
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, V. Finale (Pesante-Presto)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
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Duration:
09:32
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, I. Allegro
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
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Duration:
07:26
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0
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2 (Naxos)
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to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
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to be completed
Beethoven
Octet Op. 103, II. Andante
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
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Duration:
05:54
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0
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2 (Naxos)
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to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, III. Menuetto
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
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Duration:
03:46
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0
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2 (Naxos)
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to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, IV. Finale Presto
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
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Duration:
03:30
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0
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2 (Naxos)
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to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, I. Allegro con brio
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
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Duration:
00:00
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0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, II. Marcia funebre:Adagio assai
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
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Duration:
00:00
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0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, III. Scherzo: Allegro vivace
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
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Duration:
00:00
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0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, IV.Finale: Allegro molto
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
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Duration:
00:00
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0
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2 (stereo)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Coriolan Overture, one movement
2fl, 2ob, 2cl, 2bsn/2horns, 2tr/timp/strings
Classical
1804
Not Available
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Duration:
09:00
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horns, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, I. Allegro con brio
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
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Duration:
07:22
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, II. Andante con moto
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
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Duration:
10:00
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, III. Scherzo. Allegro
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
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Duration:
08:22
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, IV. Allegro
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
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Duration:
10:56
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Piano Concerto No. 4, I - Allegro moderato
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Classical
1805
Not Available
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Duration:
19:20
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0
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2 (Naxos)
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Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Leonora Overture 3, one movement
2fl, 2ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Classical
1806
Not Available
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Duration:
13:41
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, I. Adagio - Allegro vivace
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
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Duration:
12:27
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0
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2 (Naxos)
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to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, II. Adagio
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, III. Scherzo-Trio
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, IV. Finale: Allegro ma non troppo
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:50
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 6, I. Allegro ma non troppo, Awakening of cheerful feelings on arrival in the countryside
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Classical-Early Romantic
1808
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:08
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 6, III. Allegro, Merry gathering of country folk
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Classical-Early Romantic
1808
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Piano Concerto No. 5, I. Allegro
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Classical
1809
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
20:57
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Piano Concerto No. 5, II. Adagio un poco mosso
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Classical
1809
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 7, II. Allegretto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:48
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 7, III. Presto - Assai meno presto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:04
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 8, I. Allegro vivace e con brio
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1812
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:18
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, I. Allegro ma non troppo, un poco maestoso
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:30
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, II. Molto vivace
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
14:15
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, III. Adagio molto e cantabile
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
12:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, IV. Finale
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
22:10
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, I. Kyrie
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:48
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, II. Gloria
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, III. Credo
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
17:29
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, IV. Sanctus
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
15:17
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, V. Agnus Dei
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:40
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Three Orchestral Pieces, II. Reigen
4*fl, 4*ob, 5*cl, 4*bsn/6horn, 4tr, 4trb, tuba/2timp, 5perc/2harp, celesta/strings
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:31
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 5*cl, 4*bsn/6horn, 4tr, 4trb, tuba/2timp, 5perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, I. Allegretto giovale
StringQtet
Modern
1926
Not Available
Public Domain
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Duration:
05:37
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, II. Andante amoroso
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:11
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, III. Allegro misterioso
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:18
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, IV. Adagio appassionato
StringQtet
Modern
1926
Not Available
Public Domain
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Duration:
04:28
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, V. Presto delirando
StringQtet
Modern
1926
Not Available
Public Domain
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Duration:
05:31
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, VI. Largo desolato
StringQtet
Modern
1926
Not Available
Public Domain
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Duration:
03:39
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Violin Concerto, I. Andante, Allegretto
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Modern
1935
Not Available
Public Domain
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Duration:
11:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Violin Concerto, II. Allegro, Adagio
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.1 Stinging
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
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Duration:
03:38
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.2 Riverly Is a Flower
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
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Duration:
04:18
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.3 N(O)w
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
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Duration:
08:33
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.4 Riverly Is a Flower
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
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Duration:
03:12
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.5 Stinging
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
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Duration:
02:15
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, I.
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, II. O King
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, III. In ruhig fliessender Bewegung
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, IV.
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, V.
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie fantastique, I. Rêveries - Passions
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
15:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, II. Un Bal
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, III. Scène aux Champs
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
17:05
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, IV. Marche au supplice
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, IV. Marche au supplice
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, V. Songe d'un Nuit du Sabbat
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:36
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Roman Carnival Overture, one movement
2*fl, 2*ob, 2cl, 2bsn/4horn, 4tr, 3trb/timp, 3perc/strings
Romantic
1844
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 4tr, 3trb/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Rakoczy March, one movement
3*fl, 2ob, 2cl, 4bsn/4horns, 4tr, 3trb, tuba/timp, 2perc/strings
Romantic
1846
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 4bsn/4horns, 4tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, I. Prologue
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, II. Somewhere
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:53
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, III. Scherzo
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:16
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, IV. Mambo
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:15
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, IX. Rumble
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, V. Cha-Cha
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, VI. Meeting Scene
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, VII. Cool (VIII) Fugue)
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:02
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, X. Finale
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), I.Marche (Trompette et Tambour)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:14
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), II.Berceuse (La Poupée)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:53
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), III.Impromtu (La Toupie)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:05
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), IV.Duo (Petit Mari, Petite Femme)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), V.Galop (Le Bal)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen (suite), II Entracte
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen (suite), V. Les Dragons d'Alcala (Entracte 3)
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen, Habanera
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:18
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen, Habanera
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:18
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), I.Ouverture
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:54
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), II.Minuetto
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:45
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), III.Adagietto
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), IV.Carillon
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bloch
Schelomo (Cello Concerto), one large movement
3*fl, 2ob, e.h, 2cl, bass cl, 2bsn, c-bsn/4horn, 3tr, 3trb, 2tuba/timp, perc, celesta, 2 harp/strings/SOLO cello
Early Modern
1915
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
24:21
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, e.h, 2cl, bass cl, 2bsn, c-bsn/4horn, 3tr, 3trb, 2tuba/timp, perc, celesta, 2 harp/strings/SOLO cello
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
Prince Igor, Act II Song Tender flower
3*fl, 4*ob, 3*cl, 2bsn/4horns, 2tr, 3trb, tuba/timp, 5+perc, harp, pno(ad lib)/strings/ On stage: 2cornets, althorn, tenhorn, bar, tuba/snare / choirs, vocal soli (S-T-Bar-B)
Romantic
1869
Not Available
Not Available
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Duration:
05:57
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 4*ob, 3*cl, 2bsn/4horns, 2tr, 3trb, tuba/timp, 5+perc, harp, pno(ad lib)/strings/ On stage: 2cornets, althorn, tenhorn, bar, tuba/snare / choirs, vocal soli (S-T-Bar-B)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
String Quartet No. 1, III. Scherzo
StringQtet
Not Available
1874
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:20
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
In the Steppes of Central Asia, one movement
2fl, 2*ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Romantic
1880
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Quatre Chants pour soprano, piano et violoncelle, I.Sérénade triste, II.Accompagnement, III.Cage d'Oiseau, IV.Demain seulement
soprano, cello, piano
Late 20th Century
1974
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
25:21
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, cello, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Jeux de Société, I- Collin-Maillard
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:43
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Jeux de Société, II-Le Jeu du Téléphone
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:48
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Jeux de Société, III-Poker
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:24
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Jeux de Société, IV-Interlude
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:21
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Jeux de Société, V-Gossip
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:31
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Douze tiroirs de demi-vérités pour alléger votrer descente (Piano Concerto), I.-XII.
2fl, 2ob, 2bsn/2horn/timp, 1perc/strings/SOLO Piano
Late 20th Century
1981
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
20:05
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn/timp, 1perc/strings/SOLO Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Comme un Silène entr'ouvert, one large movement
*fl,ob,*cl/trb/harp, piano/db/Tape
Late 20th Century
1983
Not Available
Copyrights Denys Bouliane
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Duration:
19:16
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0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
*fl,ob,*cl/trb/harp, piano/db/Tape
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
A propos et le Baron perché, one large movement
2bass cl, 2contrabsn/2horn, tr, 2trb/db
Late 20th Century
1985
Not Available
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Duration:
13:40
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0
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2 (stereo)
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to be completed
Instrumentation
2bass cl, 2contrabsn/2horn, tr, 2trb/db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
A certain chinese cyclopaedia, one large movement
WW Quintet
Late 20th Century
1986
Not Available
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Duration:
13:46
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0
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2 (stereo)
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to be completed
Instrumentation
WW Quintet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Le Cactus rieur et la Demoiselle qui souffrait d'une soif insatiable, one large movement
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, piano+cel/strings
Late 20th Century
1986
Not Available
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Duration:
22:17
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0
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2 (stereo)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, piano+cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Bouliane Contredanse Silene Badouny, one movement
solo piano
Late 20th Century
1988
Not Available
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Duration:
03:17
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0
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2 (stereo)
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to be completed
Instrumentation
solo piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Das Affenlied, one movement
solo soprano
Late 20th Century
1988
Not Available
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Duration:
14:12
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0
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2 (stereo)
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to be completed
Instrumentation
solo soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Manche haben Trompinetten, I-Manche haben Trompinetten
soprano, bass cl
Late 20th Century
1989
Not Available
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Duration:
04:03
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0
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2 (stereo)
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to be completed
Instrumentation
soprano, bass cl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Manche haben Trompinetten, II-Ich kaufte hartes Brot
soprano, bass cl
Late 20th Century
1989
Not Available
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Duration:
03:03
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0
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2 (stereo)
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to be completed
Instrumentation
soprano, bass cl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Trois petits simiodrames, I-Java
cl/1perc/vl, vla, vc
Late 20th Century
1990
Not Available
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Duration:
02:54
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0
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2 (stereo)
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to be completed
Instrumentation
cl/1perc/vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Trois petits simiodrames, II-Série blême
cl/1perc/vl, vla, vc
Late 20th Century
1990
Not Available
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Duration:
05:16
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
cl/1perc/vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Trois petits simiodrames, III-Rimettes bouclées
cl/1perc/vl, vla, vc
Late 20th Century
1990
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:06
Independent parts:
0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
cl/1perc/vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Une Soirée Vian, 5 Sections; 22 Movements
sax+ewi, cl+bass cl+ewi/trb/perc-drum/piano+synth/db/SOLO soprano, bass +Electronics
Late 20th Century
1990
Not Available
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Duration:
17:37
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0
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2 (stereo)
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to be completed
Instrumentation
sax+ewi, cl+bass cl+ewi/trb/perc-drum/piano+synth/db/SOLO soprano, bass +Electronics
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., !-Arrachis
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
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Duration:
06:26
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0
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2 (stereo)
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to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., II-Pics et arêtes
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
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Duration:
01:17
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0
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2 (stereo)
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to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., III-Frâsil
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
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Duration:
03:30
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., IV-Côtes et coteillages
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
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Duration:
04:48
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0
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2 (stereo)
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to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., V-Valse endémique
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
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Duration:
03:20
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0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Appels-Rappels, I
4horn, 3tr, 3trb, tuba/perc
Late 20th Century
1994
Not Available
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Duration:
08:02
Independent parts:
0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
4horn, 3tr, 3trb, tuba/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Appels-Rappels, II
4horn, 3tr, 3trb, tuba/perc
Late 20th Century
1994
Not Available
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Duration:
05:36
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
4horn, 3tr, 3trb, tuba/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Des caresses, one movement
fl alt, vl, vla, vc, db
Late 20th Century
1994
Not Available
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Duration:
14:04
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0
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2 (stereo)
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to be completed
Instrumentation
fl alt, vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Pour parer la Parade, one movement
Electronic tape
Late 20th Century
1994
Not Available
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Duration:
03:35
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
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to be completed
Instrumentation
Electronic tape
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Un Woyzeck de bois, 17 Movements
Hybrid Electronic
Late 20th Century
1994
Not Available
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Duration:
00:32
Independent parts:
0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
Hybrid Electronic
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Concerto pour piano, I-...gestes en éventail
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Late 20th Century
1995
Not Available
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Duration:
14:35
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Concerto pour piano, II-...en guise d'andantino
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Late 20th Century
1995
Not Available
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Duration:
12:52
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Entre chien et loup (Oboe Concerto), one large movement
timp, 1perc/strings/SOLO Oboe
Late 20th Century
1995
Not Available
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Duration:
14:35
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
timp, 1perc/strings/SOLO Oboe
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Du fouet et du plaisir, one large movement
picc, ob, cl, bass cl, contrabsn/horn, tr, trb/perc, piano/2vl, vla, vc, db
Late 20th Century
1996
Not Available
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Duration:
14:27
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, ob, cl, bass cl, contrabsn/horn, tr, trb/perc, piano/2vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Le sexe des Anges (Bass Clarinet Concerto), one large movement
2*fl, 2ob, 2*cl, 2*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc, harp, piano/strings/SOLO Bass Clarinet
21st Century
2000
Not Available
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Duration:
16:49
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 2*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc, harp, piano/strings/SOLO Bass Clarinet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Qualia sui, I-Via prima
vl, vc, piano
21st Century
2001
Not Available
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Duration:
15:14
Independent parts:
0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
vl, vc, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Qualia sui, II-Via secunda
vl, vc, piano
21st Century
2001
Not Available
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Duration:
07:46
Independent parts:
0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
vl, vc, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Qualia sui, III-Via tertia
vl, vc, piano
21st Century
2001
Not Available
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Duration:
07:49
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
vl, vc, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Rumore sui, I-Via prima
Str Qtet: 2vl, vla, vc
21st Century
2002
Not Available
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Duration:
14:20
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0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Rumore sui, II-Via secunda
Str Qtet: 2vl, vla, vc
21st Century
2002
Not Available
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Duration:
12:31
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0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
La Neige est blanche mais l'eau est noire, I-Snowball Ciaccona (Ciaccona boule-de-neige)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2003
Not Available
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Duration:
08:27
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
La Neige est blanche mais l'eau est noire, II-Frosted Passacaglia (Passacaglia givrée)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2003
Not Available
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Duration:
06:29
Independent parts:
0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
La Neige est blanche mais l'eau est noire, III-Canto figurato with a melting ground
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2003
Not Available
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Duration:
09:06
Independent parts:
0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, I-Chute des atomes et froissements du clinamen
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
Copyrights Denys Bouliane
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Duration:
02:40
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, II-Ronde des dieux qui n'ont qu'à aller leur chemin
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
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Duration:
07:49
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, III-Une douleur qui s'abolit ... au Jardin du clinamen
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
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Duration:
06:58
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0
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2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, IV-Cette mort qui ne nous concerne guère: marches, dé-marches et vrilles de vie
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
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Duration:
10:05
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Rythmes et Echos des Rivages anticostiens, one large movement
*fl, *ob, 2*cl, *bsn/horn, tr, trb/piano, perc./2vl, vla, vc, db
21st Century
2008
Not Available
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Duration:
17:24
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
*fl, *ob, 2*cl, *bsn/horn, tr, trb/piano, perc./2vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Vols et Vertiges du Gamache (Cello Concerto), one large movement
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Cello
21st Century
2008
Not Available
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Duration:
22:14
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Cello
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Kahseta's tekeni-ahsen, one movement
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2010
Not Available
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Duration:
09:37
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Pierrot Clair de lune, one movement
soprano, piano
21st Century
2012
Not Available
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Duration:
05:28
Independent parts:
0
Audio channels:
2 (stereo)
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soprano, piano
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Bouliane
Er ist nicht tot, weil er gestorben ist..., one movement
bass cl, vl, vc
21st Century
2013
Not Available
Copyrights Denys Bouliane
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Duration:
01:29
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0
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2 (stereo)
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bass cl, vl, vc
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Brahms
Symphony No. 1, I. Un poco sostenuto - Allegro
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1855
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Public Domain
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Duration:
13:59
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0
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2 (Naxos)
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2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
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Brahms
Symphony No. 1, II. Andante sostenuto
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1855
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Duration:
09:11
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0
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2 (Naxos)
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2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
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Brahms
Symphony No. 1, IV. Adagio-Più andante-Allegro non troppo, ma con brio-Più allegro
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1855
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Duration:
16:59
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0
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2 (Naxos)
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2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
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Brahms
Hungarian Dance No. 1, No. 1
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr,/timp, perc(triangle)/strings
Romantic
1869
Not Available
Public Domain
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Duration:
03:01
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0
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2 (stereo)
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr,/timp, perc(triangle)/strings
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Brahms
No. 1. Capriccio in F-Sharp Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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2 (Naxos)
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Solo Piano
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Brahms
No. 2. Capriccio in B Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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Solo Piano
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Brahms
No. 3. Intermezzo in A-Flat Major
Solo Piano
Romantic
1871
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Not Available
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00:00
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0
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Solo Piano
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Brahms
No. 4. Intermezzo in B-Flat Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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Solo Piano
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Brahms
No. 5. Capriccio in C-Sharp Minor
Solo Piano
Romantic
1871
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Not Available
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00:00
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0
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2 (Naxos)
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Solo Piano
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Brahms
No. 6. Intermezzo in A Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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Solo Piano
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Brahms
No. 7. Intermezzo in A Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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Solo Piano
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Brahms
No. 8. Capriccio in C Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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2 (Naxos)
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Solo Piano
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Brahms
Variations on a Theme by Haydn, Choral, VIII Variations, Finale
picc, 2fl, 2ob, 2cl, 2bsn, contrabsn/4horn, 2tr/timp, perc/strings
Romantic
1873
Not Available
Not Available
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Duration:
18:43
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0
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picc, 2fl, 2ob, 2cl, 2bsn, contrabsn/4horn, 2tr/timp, perc/strings
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Brahms
Symphony No. 2, I. Allegro non troppo
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Romantic
1877
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Duration:
21:01
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0
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2 (Naxos)
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2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
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Brahms
Symphony No. 2, III. Allegretto grazioso (quasi andantino)
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Romantic
1877
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Public Domain
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Duration:
05:26
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2 (Naxos)
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2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
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Brahms
Violin Concerto, I. Allegro non troppo
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Romantic
1878
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Duration:
22:23
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2 (Naxos)
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2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
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Brahms
Violin Concerto, II. Adagio
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Romantic
1878
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Duration:
09:12
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0
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2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
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Brahms
Violin Concerto, III. Allegro giocoso, ma non troppo vivace -Poco più presto
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Romantic
1878
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Duration:
08:10
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0
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2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
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Brahms
Symphony No. 3, I. Allegro con brio
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1883
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Duration:
13:51
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0
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2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
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Brahms
Symphony No. 4, I. Allegro non troppo
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
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Duration:
13:19
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
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Brahms
Symphony No. 4, II. Andante moderato
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
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Duration:
12:11
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
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Brahms
Symphony No. 4, III. Allegro giocoso
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
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Duration:
06:24
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
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Brahms
Symphony No. 4, IV. Allegro energico e passionato
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
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Duration:
10:21
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2 (Naxos)
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
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to be completed
Brahms
No. 1. Capriccio in D Minor
Solo Piano
Romantic
1892
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Not Available
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00:00
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Solo Piano
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Brahms
No. 2. Intermezzo in A Minor
Solo Piano
Romantic
1892
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00:00
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Solo Piano
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Brahms
No. 3. Capriccio in G Minor
Solo Piano
Romantic
1892
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00:00
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Solo Piano
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Brahms
No. 4. Intermezzo in E Major
Solo Piano
Romantic
1892
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00:00
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Solo Piano
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Brahms
No. 5. Intermezzo in E Minor
Solo Piano
Romantic
1892
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00:00
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Solo Piano
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Brahms
No. 6. Intermezzo in E Major
Solo Piano
Romantic
1892
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00:00
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Solo Piano
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Brahms
No. 7. Capriccio in D Minor
Solo Piano
Romantic
1892
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Not Available
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00:00
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Solo Piano
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Britten
Serenade Op. 31 for Tenor and Horn, V. Dirge
Tenor, Horn/Strings
Modern
1943
Not Available
Public Domain
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Duration:
03:20
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, I.Prologue (horn)
Tenor, Horn/Strings
Modern
1943
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01:20
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, II.Pastoral
Tenor, Horn/Strings
Modern
1943
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Duration:
03:14
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, III.Nocturne
Tenor, Horn/Strings
Modern
1943
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Duration:
03:34
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, IV.Elegy
Tenor, Horn/Strings
Modern
1943
Not Available
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Duration:
04:09
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, VI.Hymn
Tenor, Horn/Strings
Modern
1943
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02:00
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, VII.Sonnet
Tenor, Horn/Strings
Modern
1943
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Duration:
03:43
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Tenor, Horn/Strings
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Britten
Serenade Op. 31 for Tenor and Horn, VIII.Epilogue (horn)
Tenor, Horn/Strings
Modern
1943
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Duration:
01:37
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Tenor, Horn/Strings
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Britten
The Young Person's Guide to the Orchestra, I. Theme: Allegro maestoso e largamente
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:54
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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Britten
The Young Person's Guide to the Orchestra, II. Variation A
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:30
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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Britten
The Young Person's Guide to the Orchestra, III. Variation B
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:57
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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Britten
The Young Person's Guide to the Orchestra, IV. Variation C
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:45
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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Britten
The Young Person's Guide to the Orchestra, IX. Variation H
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:00
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to be completed
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, V. Variation D
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:51
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
Britten
The Young Person's Guide to the Orchestra, VI. Variation E
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:32
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
Britten
The Young Person's Guide to the Orchestra, VII. Variation F
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:00
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to be completed
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, VIII. Variation G
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:14
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, X. Variation I
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:47
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XI. Variation J
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:50
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0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XII. Variation K
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:33
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XIII. Variation L
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:07
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XIV. Variation M
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:55
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XV. Fugue: Allegro molto
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:45
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 01 Act I The Prologue
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 02 Act I Theme - Scene 1 The Journey
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 03 Act I Variation 1 - Scene 2 The Welcome
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 04 Act I Variation 2 - Scene 3 The Letter
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 05 Act I Variation 3 - Scene 4 The Tower
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 06 Act I Variation 4 - Scene 5 The Window
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 07 Act I Variation 5 - Scene 6 The Lesson
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 08 Act I Variation 6 - Scene 7 The Lake
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 09 Act I Variation 7 - Scene 8 At Night
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 10 Act II Variation 8 - Scene 1 Colloquy and Soliloquy
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 11 Act II Variation 9 - Scene 2 The Bells - Variation 10
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 12 Act II Scene 3 Miss Jessel
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 13 Act II Variation 11 - Scene 4 The Bedroom
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 14 Act II Variation 12 - Scene 5 Quint
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 15 Act II Variation 13 - Scene 6:The Piano
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 16 Act II Variation 14 - Scene 7 Flora
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 17 Act II Variation 15 - Scene 8 Miles
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
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Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 6, I. Maestoso
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Romantic
1879
Not Available
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Duration:
14:34
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0
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2 (stereo)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, I. Allegro moderato
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
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Duration:
19:40
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, II. Adagio: Sehr feierlich und sehr langs
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
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Duration:
23:07
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, III. Scherzo: Sehr schnell -Trio: Etwas langsamer
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
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Duration:
09:03
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, IV. Finale: Bewegt, doch nicht schnell
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
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Duration:
11:53
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 9, I. Feierlich, Misterioso
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Late Romantic
1887
Not Available
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Duration:
24:51
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 9, II. Scherzo: Bewegt, lebhaft
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Late Romantic
1887
Not Available
Public Domain
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Duration:
11:04
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Buron
Buron Qui croire de soi CME, I-VI
*fl, ob, 2*cl, *bsn/sax alt, sax ten/tr, trb/perc, piano-cel/2vl, vla, vc, db/SOLO Mezzo
21st Century
2020
Not Available
Not Available
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Duration:
16:23
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0
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2 (stereo)
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to be completed
Instrumentation
*fl, ob, 2*cl, *bsn/sax alt, sax ten/tr, trb/perc, piano-cel/2vl, vla, vc, db/SOLO Mezzo
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
First Construction in Metal, one movement
6 perc
Modern
1939
Not Available
Not Available
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Duration:
10:00
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0
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2 (stereo)
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to be completed
Instrumentation
6 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
Second Construction, one movement
4 perc
After 1945
1940
Not Available
Not Available
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Duration:
07:51
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0
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2 (stereo)
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to be completed
Instrumentation
4 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
Third Construction, one movement
4 perc
After 1945
1941
Not Available
Not Available
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Duration:
10:18
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0
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2 (stereo)
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to be completed
Instrumentation
4 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chabrier
Espana, one movement
3*fl, 2ob, 2cl, 4bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp/strings
Late Romantic
1883
Not Available
Public Domain
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Duration:
06:22
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 4bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chavez
Toccata, one movement
6 perc
Modern
1942
Not Available
Public Domain
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Duration:
11:40
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0
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2 (Naxos)
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to be completed
Instrumentation
6 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Copland
Symphony No. 3, I. Molto moderato - with simple expression
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
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Duration:
09:45
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Copland
Symphony No. 3, II. Allegro molto
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
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Duration:
08:03
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
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to be completed
Copland
Symphony No. 3, III. Andante quasi allegretto
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
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Duration:
09:30
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0
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2 (Naxos)
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Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
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to be completed
Copland
Symphony No. 3, IV. Molto deliberato
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
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Duration:
13:25
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0
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2 (Naxos)
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Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
COURSE 1 of 3, 261
C-1 Week-01 261 (Load corresponding BOOKMARK LIST), (See ENVELOPE for attached Documents)
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COURSE 1 of 3, 261
C-1 Week-02 261
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COURSE 1 of 3, 261
C-1 Week-03 261
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COURSE 1 of 3, 261
C-1 Week-04 261
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COURSE 1 of 3, 261
C-1 Week-05 261
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COURSE 1 of 3, 261
C-1 Week-06 261
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COURSE 1 of 3, 261
C-1 Week-07 261
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COURSE 1 of 3, 261
C-1 Week-08 261
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COURSE 1 of 3, 261
C-1 Week-09 261
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COURSE 1 of 3, 261
C-1 Week-10 261
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COURSE 1 of 3, 261
C-1 Week-11 261
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COURSE 1 of 3, 261
C-1 Week-12 261
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COURSE 1 of 3, 261
C-1 Week-13 261
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COURSE 2 of 3, 360
C-2 Week-01 360 (Load corresponding BOOKMARK LIST), (See ENVELOPE for attached Documents)
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COURSE 2 of 3, 360
C-2 Week-02 360
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COURSE 2 of 3, 360
C-2 Week-03 360
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COURSE 2 of 3, 360
C-2 Week-04 360
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COURSE 2 of 3, 360
C-2 Week-05 360
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COURSE 2 of 3, 360
C-2 Week-06 360
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COURSE 2 of 3, 360
C-2 Week-07 360
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COURSE 2 of 3, 360
C-2 Week-08 360
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COURSE 2 of 3, 360
C-2 Week-09 360
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COURSE 2 of 3, 360
C-2 Week-10 360
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COURSE 2 of 3, 360
C-2 Week-11 360
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COURSE 2 of 3, 360
C-2 Week-12 360
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COURSE 2 of 3, 360
C-2 Week-13 360
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COURSE 3 of 3, 460
C-3 Week-01 460 (Load corresponding BOOKMARK LIST), (See ENVELOPE for attached Documents)
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COURSE 3 of 3, 460
C-3 Week-02 460
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COURSE 3 of 3, 460
C-3 Week-03 460
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COURSE 3 of 3, 460
C-3 Week-04 460
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COURSE 3 of 3, 460
C-3 Week-05 460
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COURSE 3 of 3, 460
C-3 Week-06 460
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COURSE 3 of 3, 460
C-3 Week-07 460
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COURSE 3 of 3, 460
C-3 Week-08 460
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COURSE 3 of 3, 460
C-3 Week-09 460
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COURSE 3 of 3, 460
C-3 Week-10 460
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COURSE 3 of 3, 460
C-3 Week-11 460
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COURSE 3 of 3, 460
C-3 Week-12 460
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COURSE 3 of 3, 460
C-3 Week-13 460
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D'Indy
Istar, Variations symphoniques
3*fl, 3*ob, 3*cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp/strings
Late Romantic
1896
Not Available
Public Domain
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Duration:
13:29
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2 (Naxos)
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Instrumentation
3*fl, 3*ob, 3*cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Danzi
Quintett op. 68 No. 2, I. Allegro
WW Quintet
Romantic
1824
Not Available
Public Domain
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Duration:
08:47
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WW Quintet
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to be completed
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to be completed
Danzi
Quintett op. 68 No. 2, II. Andante
WW Quintet
Romantic
1824
Not Available
Public Domain
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Duration:
04:31
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WW Quintet
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Danzi
Quintett op. 68 No. 2, III. Minuetto
WW Quintet
Romantic
1824
Not Available
Public Domain
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03:24
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WW Quintet
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Danzi
Quintett op. 68 No. 2, IV. Allegretto
WW Quintet
Romantic
1824
Not Available
Public Domain
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06:00
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WW Quintet
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Davis
Boplicity, 01-Venus De Milo
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 02-Rouge
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 03-Boplicity (arr. G. Evans)
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 04-Israel
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 05-Deception
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 06-Rocker
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 07-Moon Dreams
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 08-Darn That Dream
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 09-Donna
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 10-Dear Old Stockholm
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 11-Chance It
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 12-Woody'n You
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 13-Yesterdays
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 14-How Deep Is The Ocean
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 15-Tasty Pudding
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 16-Willie The Wailer
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 17-For Adults Only
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 18-Floppy
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Nocturnes, I. Nuages
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Early Modern
1892
Not Available
Public Domain
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Duration:
06:20
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0
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2 (Naxos)
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Instrumentation
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Nocturnes, II. Fêtes
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Early Modern
1892
Not Available
Public Domain
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Duration:
06:35
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Nocturnes, III. Sirènes
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Early Romantic
1892
Not Available
Public Domain
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Duration:
09:42
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Prélude à l'après-midi d'un faune, one movement
3fl, 3*ob, 2cl, 2bsn/4horn/1perc/2harp/strings
Early Modern
1894
Not Available
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Duration:
10:03
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0
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2 (Naxos)
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Instrumentation
3fl, 3*ob, 2cl, 2bsn/4horn/1perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
La Mer, I. De l'aube à midi sur la mer
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Modern
1903
Not Available
Public Domain
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Duration:
09:18
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0
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2 (Naxos)
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Instrumentation
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
La Mer, II. Jeu de Vagues
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Modern
1903
Not Available
Public Domain
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Duration:
06:48
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0
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2 (Naxos)
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Instrumentation
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Danse Profane, II
HarpSOLO/Strings
Early Modern
1904
Not Available
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Duration:
04:37
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0
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2 (Naxos)
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to be completed
Instrumentation
HarpSOLO/Strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Danse Sacrée, I
HarpSOLO/Strings
Early Modern
1904
Not Available
Public Domain
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Duration:
04:41
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0
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2 (Naxos)
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to be completed
Instrumentation
HarpSOLO/Strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, I. Gigues
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
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Duration:
07:22
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0
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2 (Naxos)
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to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, II. Iberia 1-Par les rues et les chemins
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
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Duration:
06:58
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, II. Iberia 2-Les parfums de la nuit
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
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Duration:
07:37
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0
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2 (Naxos)
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to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, II. Iberia 3-Le matin d'un jour de fête
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
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Duration:
04:18
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0
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2 (Naxos)
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to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, III. Rondes de Printemps
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
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Duration:
07:43
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dukas
L'Apprenti Sorcier, one large movement
3*fl, 2ob, 3*cl, 4*bsn/4horn, 4tr, 3trb/timp, 4perc/harp/strings
Early Modern
1897
Not Available
Public Domain
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Duration:
11:33
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 3*cl, 4*bsn/4horn, 4tr, 3trb/timp, 4perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Slavonic Dances op. 48, No. 8
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc/strings
Late Romantic
1878
Not Available
Public Domain
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Duration:
03:58
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, I. Adagio - Allegro molto
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
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Duration:
08:07
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0
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2 (Naxos)
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to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, II. Largo
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
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Duration:
12:21
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, III. Molto vivace
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:45
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, IV. Allegro con fuoco
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
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Duration:
11:07
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, I. Theme: Andante
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
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Duration:
01:31
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0
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2 (Naxos)
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to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, II. Variation 1: C. A. E. (The Composer's Wife)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
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Duration:
02:04
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, III. Variation 2: H. D. S-P. (Hew David Steuart-Powell)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:50
Independent parts:
0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, IV. Variation 3: R. B. T. (Richard Baxter Townshend)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:31
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, IX. Variation 8: W. N. (Winifred Norbury)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, V. Variation 4: W. M. B. (William Meath Baker)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:34
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, VI. Variation 5: R. P. A. (Richard Penrose Arnold)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:04
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, VII. Variation 6: Ysobel (Isabel Fitton)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:13
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, VIII. Variation 7: Troyte (Troyte Griffith)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:04
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, X. Variation 9: Nimrod (A. J. Jaeger)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:34
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XI. Variation 10: Intermezzo: Dorabella (Dora Penny)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:53
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XII. Variation 11: G. R. S. (George Robertson Sinclair)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:01
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XIII. Variation 12: B. G. N. (Basil G. Nevinson)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:57
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XIV. Variation 13: Romanza: *** (Lady Mary Lygon)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:02
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XV. Variation 14: Finale: E. D. U. (The Composer)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:01
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Pomp and Circumstance March, No. 1
3*fl, 2ob, 3*cl, 3*bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp, organ/strings
Early Modern
1901
Not Available
Public Domain
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Duration:
07:05
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 3*cl, 3*bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Franck
Symphony in D minor, I. Lento; Allegro ma non troppo
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Romantic
1888
Not Available
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Duration:
18:44
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Franck
Symphony in D minor, II. Allegretto
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Romantic
1888
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:40
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Franck
Symphony in D minor, III. Finale: Allegro non troppo
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Romantic
1888
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:22
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Gershwin
Rhapsody in Blue, one large movement
2fl, 2ob, 3*cl, 2bsn/4horn, 3tr, 3trb, tuba/2altSax, tenSax/timp, 3perc, 2harp, banjo/strings/SOLO piano
Modern
1924
Not Available
Public Domain
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Duration:
13:52
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0
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2 (Naxos)
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Instrumentation
2fl, 2ob, 3*cl, 2bsn/4horn, 3tr, 3trb, tuba/2altSax, tenSax/timp, 3perc, 2harp, banjo/strings/SOLO piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 1. Polonaise
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1892
Not Available
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Duration:
04:56
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 2. Nocturne Op. 15
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
04:30
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 3. Mazurka
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
06:33
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0
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2 (Naxos)
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Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 4. Walzer
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
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Duration:
04:48
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 5. Tarentelle
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
03:38
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, Nocturne Op. 15
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
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Duration:
04:24
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glinka
Ruslan and Ludmilla, Overture
2fl, 2ob, 2cl, *3bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1837
Not Available
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Duration:
04:35
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, *3bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Goldsmith
The Illustrated Man: Main Title
full orchestra
Late 20th Century
1969
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Logan's Run, End of the City
full orchestra
Late 20th Century
1976
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Logan's Run, The Monument
full orchestra
Late 20th Century
1976
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Damnation Alley , End Title
full orchestra
Late 20th Century
1977
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Damnation Alley , Main Title
full orchestra
Late 20th Century
1977
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Capricorn One: Main Title
full orchestra
Late 20th Century
1978
Not Available
No Score
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00:00
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0
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2 (Naxos)
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Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Alien: End Title
full orchestra
Late 20th Century
1979
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Star Trek, the Motion Picture: The Enterprise
full orchestra
Late 20th Century
1979
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Twilight Zone, the Movie: Overture
full orchestra
Late 20th Century
1983
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Total Recall: Main Title
full orchestra
Late 20th Century
1990
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Star Trek: Voyager: Main Title
full orchestra
Late 20th Century
1995
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Star Trek, "First Contact": End Title
full orchestra
Late 20th Century
1996
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt (suite), I. Morning Mood
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
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Duration:
03:56
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt Suite, II. The Death of Aase
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
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Duration:
04:35
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt Suite, III. Anitra's Dance
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
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Duration:
03:31
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt Suite, IV. In the Hall of the Mountain King
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
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Duration:
02:16
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grisey
Partiels, one large movement
2*fl, *ob, 2*cl, basscl/2horn, trb/2perc, accordeon-organ/2vl, 2vla, vc, db
Late 20th Century
1975
Not Available
Not Available
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Duration:
22:04
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0
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2 (Naxos)
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to be completed
Instrumentation
2*fl, *ob, 2*cl, basscl/2horn, trb/2perc, accordeon-organ/2vl, 2vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Gubaidulina
Offertorium, one large movement
3*fl, 2ob, 3*cl, 2bsn/3horn, 3tr, 3trb, tuba/timp, 5perc/2hp/cel, pno/SOLO Vl, strings
Late 20th Century
1980
Not Available
Not Available
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Duration:
35:38
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0
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2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 3*cl, 2bsn/3horn, 3tr, 3trb, tuba/timp, 5perc/2hp/cel, pno/SOLO Vl, strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Messiah, Part I: Recitative: Comfort ye my people
Strings/Continuo/SOLO Tenor
Baroque
1741
Not Available
Public Domain
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Duration:
03:11
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0
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2 (Naxos)
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to be completed
Instrumentation
Strings/Continuo/SOLO Tenor
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, I. Ouverture
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
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Duration:
08:44
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0
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2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, II. Bouree
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
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Duration:
02:05
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0
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2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, III. La Paix
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
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Duration:
03:08
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, IV. La Rejouissance
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
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Duration:
03:41
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0
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2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, V. Minuet I - Minuet II
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
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Duration:
03:45
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 31 "Horn Signal", I. Allegro
fl, 2ob, 1bsn/4horn/strings
Classical
1765
Not Available
Public Domain
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
fl, 2ob, 1bsn/4horn/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 94 "Paukenschlag, Surprise", IV. Finale Allegro di molto
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1791
Not Available
Public Domain
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Duration:
03:51
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), I. Adagio - Vivace
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
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Duration:
08:22
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), II. Adagio ma non troppo
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), III. Menuetto e Trio
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:50
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), IV. Finale: Presto assai
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:18
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), I. Adagio - Presto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), II. Andante
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), III. Menuetto, Allegretto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), IV. Finale, Vivace
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:35
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 104, I. Adagio - Allegro
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1795
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:10
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Higdon
Percussion Concerto, one large movement
3fl, 3ob, 3cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, harp, piano/strings/SOLO Percussion
21st Century
2005
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
24:18
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 3ob, 3cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, harp, piano/strings/SOLO Percussion
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Viola Sonata, I. Fantasie
Vla/pno
Modern
1919
Not Available
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Duration:
03:12
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Vla/pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Viola Sonata, II. Thema mit Variationen
Vla/pno
Modern
1919
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:31
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
Vla/pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Viola Sonata, III. Finale (mit Variationen)
Vla/pno
Modern
1919
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:51
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Vla/pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Symphonie Mathis der Maler, I. Engelkonzert
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Modern
1934
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:23
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Symphonie Mathis der Maler, II. Grabelung
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Modern
1934
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:09
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Symphonie Mathis der Maler, III. Versuching des heiligen Antonius
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Modern
1934
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:12
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Der Schwanendreher, 1. Zwischen Berg un tiefem Tal
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:10
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Der Schwanendreher, 2. Nun laube, Lindlein, laube!
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Der Schwanendreher, 3. Variationen "Seid ihr nicht der Schawendreher"
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:49
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Nobilissima Visione, 1. Einleitung und Rondo
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1938
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Nobilissima Visione, 2. Marsch und Pastorale
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1938
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Nobilissima Visione, 3. Passacaglia
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1938
Not Available
Public Domain
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Duration:
05:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, I. Allegro
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, II. Scherzo
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, III. Andantino
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, IV. Marsch
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, I.Mars, the Bringer of War
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, II.Venus, the Bringer of Peace
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, III.Mercury, the Winged Messenger
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, IV.Jupiter, the Bringer of Jollity
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:16
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, V.Saturn, the Bringer of Old Age
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, VI.Uranus, the Magician
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:37
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, VII.Neptune, the Mystic
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:02
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ives
Three Places in New England, I.The St. Gaudens in Boston Common
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Early Modern
1911
Not Available
Public Domain
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Duration:
08:34
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ives
Three Places in New England, II.Putnam's Camp, Redding, Connecticut
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Modern
1911
Not Available
Public Domain
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Duration:
05:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ives
Three Places in New England, III.The Housatonic at Stockbridge
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Early Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, I. Allegretto
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
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Duration:
02:17
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, II. Andante
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
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Duration:
06:07
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, III. Moderato
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, IV. Allegretto-Presto-Adagio-Prestissimo
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:59
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, V. Allegro-Allegretto-Allegro-Adagio
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:16
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Jodlowski
Time & Money, one movement
SOLOperc+electronics
21st Century
2006
Not Available
Not Available
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Duration:
14:48
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
SOLOperc+electronics
Orchestral effects
to be completed
Orchestration techniques
to be completed
Kagel
10 Marsche, um den Sieg zu verfehlen, I-X
Wwinds/Brasses/Perc
Late 20th Century
1978
Not Available
Not Available
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Duration:
17:38
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Wwinds/Brasses/Perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Khatchaturian
Gayane, Suite No. 3, VI. Sabre Dance
picc, 2fl, 2ob, e.horn, 2cl, basscl, sax alto, 2bsn/ 4horn, 3tr, 3trb /timp, 2harp, Pno/strings
Modern
1942
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:31
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.horn, 2cl, basscl, sax alto, 2bsn/ 4horn, 3tr, 3trb /timp, 2harp, Pno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Koechlin
Les Bandar-Log, one large movement
2picc, 2fl, 2ob, e.horn, Ebcl, 2cl, basscl, 2sax, 3bsn, contra-bsn/ 4horn, bugle, 4tr, 4trb, tuba.tim, perc, cel, pro, 2harp/strings
Modern
1940
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2picc, 2fl, 2ob, e.horn, Ebcl, 2cl, basscl, 2sax, 3bsn, contra-bsn/ 4horn, bugle, 4tr, 4trb, tuba.tim, perc, cel, pro, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Legrand
Les parapluies de Cherbourg: Suite for Harp and Orchestra
orchestra/SOLO Harp, harpsicbord
Late 20th Century
1965
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
orchestra/SOLO Harp, harpsicbord
Orchestral effects
to be completed
Orchestration techniques
to be completed
Legrand
The Thomas Crown Affair: Windmills of Your Mind (arr. N. Ingman for orchestra), Windmills of Your Mind (arr. N. Ingman for orchestra)
orchestra/combo
Late 20th Century
1968
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
orchestra/combo
Orchestral effects
to be completed
Orchestration techniques
to be completed
Legrand
Le messager: Suite for Harp, Harpsichord and Orchestra
orchestra/SOLO Harp, harpsicbord
Late 20th Century
1971
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
orchestra/SOLO Harp, harpsicbord
Orchestral effects
to be completed
Orchestration techniques
to be completed
Legrand
Summer of '42: Concertino for Harp and Orchestra
orchestra/SOLO Harp
Late 20th Century
1971
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
orchestra/SOLO Harp
Orchestral effects
to be completed
Orchestration techniques
to be completed
Legrand
Yentl: Suite for Harp and Orchestra
orchestra/SOLO Harp
Late 20th Century
1983
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
orchestra/SOLO Harp
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
Atmospheres, one movement
4*fl, 4*ob, 4*cl, 4*bsn/4horn, 3tr, 3trb, tuba/strings
After 1945
1961
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/4horn, 3tr, 3trb, tuba/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
Lontano, one movement
4*fl, 4*ob, 4*cl, 4*bsn/4horn, 3tr, 3trb, tuba/strings
After 1945
1967
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:45
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/4horn, 3tr, 3trb, tuba/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
String Quartet no. 2, I. Allegro Nervoso
Str Qtet: 2vl, vla, vc
Late 20th Century
1968
Not Available
Not Available
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Duration:
05:13
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
String Quartet no. 2, II. Sostenuto, molto calmo
Str Qtet: 2vl, vla, vc
Late 20th Century
1968
Not Available
Not Available
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Duration:
04:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
String Quartet no. 2, III. Come un mechanismo di precisione
Str Qtet: 2vl, vla, vc
Late 20th Century
1968
Not Available
Not Available
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Duration:
03:08
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
String Quartet no. 2, IV. Presto furioso, brutale, tumutuoso
Str Qtet: 2vl, vla, vc
Late 20th Century
1968
Not Available
Not Available
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Duration:
02:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ligeti
String Quartet no. 2, V. Allegro con delicatezza
Str Qtet: 2vl, vla, vc
Late 20th Century
1968
Not Available
Not Available
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Duration:
05:37
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Liszt
Les Préludes (d'après Lamartine), Intro, I. II. III. IV.
3fl, 2ob, 2cl, 2bsn/4horn, 2tr, 2trb, tuba/timp, perc, harp/strings
Romantic
1849
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:50
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 2ob, 2cl, 2bsn/4horn, 2tr, 2trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
MacnabSeguin
Seizing to be Ceased, I-VIII
*fl, ob, 2*cl, *bsn/horn, tr, trb/piano, 2perc./2vl, vla, vc, db
21st Century
2016
Not Available
Not Available
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Duration:
19:45
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, ob, 2*cl, *bsn/horn, tr, trb/piano, 2perc./2vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Lieder eines Fahrenden Gesellen, I. Wenn mein Schatz Hochzeit macht
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Late Romantic
1884
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:54
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Lieder eines Fahrenden Gesellen, II. Gind heut' morgens ubers Feld
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Late Romantic
1884
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Lieder eines Fahrenden Gesellen, III."Ich hab' ein gluhend Messer"
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Late Romantic
1884
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:13
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Lieder eines Fahrenden Gesellen, IV."Die zwei blauen Augen von meinem Schatz"
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Late Romantic
1884
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:11
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 3*cl, 2bsn/4horn, 2tr, 3trb/timp, perc,harp/strings/SOLO Voice
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 1, I. Langsam, schleppend
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Late Romantic
1887
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
14:30
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 1, II. Kräftig bewegt, doch nicht zu schnell, Recht gemächlich, a Trio-a Ländler
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Late Romantic
1887
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:05
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 1, III. Feierlich und gemessen, Sehr einfach und schlicht wie eine Volksweise, Wieder etwas bewegter, wie im Anfang -a funeral march "Frère Jacques"
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Late Romantic
1887
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:36
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 1, IV. Sturmisch bewegt - Energisch
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Late Romantic
1887
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
17:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn/7horn, 4tr, 3trb, tuba/timp, 3perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 2, I. Allegro maestoso
4*fl, 4*ob, 5*cl, 4*bsn/10horn, 10tr, 4trb, tuba/2timp, 4perc/2Harp/organ/strings/Chorus, SOLO Sop, SOLO Alt
Late Romantic
1888
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
21:02
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 5*cl, 4*bsn/10horn, 10tr, 4trb, tuba/2timp, 4perc/2Harp/organ/strings/Chorus, SOLO Sop, SOLO Alt
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 3, VI. Langsam. Ruhevoll. Empfunden
4*fl, 4*ob, 5*cl, 4*bsn/8horn, 4tr, 4trb, tuba/2timp, 5perc/2harp/strings/choir(boy, women), solo Alto
Late Romantic
1893
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
22:04
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 5*cl, 4*bsn/8horn, 4tr, 4trb, tuba/2timp, 5perc/2harp/strings/choir(boy, women), solo Alto
Orchestral effects
to be completed
Orchestration techniques
to be completed
Mahler
Symphony No. 3, I. Kraftig - Entschieden
4*fl, 4*ob, 5*cl, 4*bsn/8horn, 4tr, 4trb, tuba/2timp, 5perc/2harp/strings/choir(boy, women), solo Alto
Late Romantic
1896
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
32:15
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 5*cl, 4*bsn/8horn, 4tr, 4trb, tuba/2timp, 5perc/2harp/strings/choir(boy, women), solo Alto
Orchest