Ades
Asyla, I.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, II.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, IIII.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ades
Asyla, IV.
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
21st Century
1997
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6perc, 1harp, 2piano-celesta (grand pn, 2upright pn-one tuned 1/4 tone flat)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Brass CHORDS, Trumpet, Trombone, Horn, Tuba, 17 voicings
Brasses
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:23
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Brasses MUTES, Trumpet, Trombone, Horn, Tuba, 11 examples
Brasses
Not Available
2023
Not Available
Not Available
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Duration:
02:39
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Generic Brasses, Trumpet, Trombone, Horn, Tuba, Sforzandi, Swells, Gliss.
Brasses
Not Available
2023
Not Available
Not Available
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Duration:
00:42
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0
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2 (Naxos)
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to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Generic Horns, Horns 7 examples
Brasses
Not Available
2023
Not Available
Not Available
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Duration:
02:26
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Brasses
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Generic WoodWinds, WoodWinds 12 examples
Woodwinds
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Woodwinds
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Orchestral CHORDS, 9 Different spacings and doublings
Orchestra
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:24
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0
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2 (Naxos)
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to be completed
Instrumentation
Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
Orchestral EFFECTS, sfz, Dovetailing, Coloring, 12 examples
Orchestra
Not Available
2023
Not Available
Not Available
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Duration:
02:34
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
AdlerGENERIC
WoodWind CHORDS, Flutes, Oboes, Clarinets, Bassoons, 29 voicings spacings, doublings
Woodwinds
Not Available
2023
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
Woodwinds
Orchestral effects
to be completed
Orchestration techniques
to be completed
Andriessen
De Staat, one large movement
4*ob/4horns, 4tr, 4trb/2el guit, 1el bassguit/2harps, 2pnos/violas (all amplified)
Late 20th Century
1976
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*ob/4horns, 4tr, 4trb/2el guit, 1el bassguit/2harps, 2pnos/violas (all amplified)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Andriessen
De Materie Part II, "Hadewijch", Hadewijch
3fl, 2altsax, 2tensax, 1barsax/4tr, 4trb/2perc, 2pns(2.elpno), 1synth, uprightpn(behind)/2el guit, 1el bassguit/ 4 female voices (all amplified)
Late 20th Century
1988
Not Available
Not Available
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Duration:
00:00
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3fl, 2altsax, 2tensax, 1barsax/4tr, 4trb/2perc, 2pns(2.elpno), 1synth, uprightpn(behind)/2el guit, 1el bassguit/ 4 female voices (all amplified)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Andriessen
De Materie Part III, "De Stijl", "De Stijl"
3fl, 2ob, 2Eh, 5cl, 2basscl, 1contrabasscl/4horns, 4tr, 4trb, 1tuba/5perc, 1harp, 2pnos, 2synths, 2el guit, 1el bassguit/4vl, 2vla, 2vc, 1db/ 8 solo voices(2S.2A.2T.2B.) (all amplified)
Late 20th Century
1988
Not Available
Not Available
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3fl, 2ob, 2Eh, 5cl, 2basscl, 1contrabasscl/4horns, 4tr, 4trb, 1tuba/5perc, 1harp, 2pnos, 2synths, 2el guit, 1el bassguit/4vl, 2vla, 2vc, 1db/ 8 solo voices(2S.2A.2T.2B.) (all amplified)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Antheil
Ballet Mecanique, One large movement
original orchestration: 16 player pianos (or pianolas) in four parts, 2 regular pianos, 3 xylophones, at least 7 electric bells, 3 propellers, siren, 4 bass drums, and 1 tam-tam
Modern
1924
Not Available
Not Available
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Duration:
16:06
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0
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2 (Naxos)
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to be completed
Instrumentation
original orchestration: 16 player pianos (or pianolas) in four parts, 2 regular pianos, 3 xylophones, at least 7 electric bells, 3 propellers, siren, 4 bass drums, and 1 tam-tam
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Choral Jesu, meine Freude (Motet BVW 227), Excerpt (2bars)
Strings
Baroque
1653
Choral
Strings
Not Available
Duration:
02:00
Independent parts:
0
Audio channels:
5
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Score preview:
to be completed
Instrumentation
Strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Choral Jesu, meine Freude (Motet BVW 227), Excerpt (2bars)
Woodwinds
Baroque
1653
Choral
Woodwinds
Not Available
Duration:
04:41
Independent parts:
0
Audio channels:
12
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Score preview:
to be completed
Instrumentation
Woodwinds
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, I. Allegro
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:26
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, II. Agagio
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:31
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, III. Allegro
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:39
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0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 1, IV. Menuetto - Polacca
3ob, bsn/2horn/hpsd/strings
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:12
Independent parts:
0
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2 (Naxos)
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to be completed
Instrumentation
3ob, bsn/2horn/hpsd/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 2, I. Allegro
fl, ob/tr/hpsd/strings/solo Vl
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:26
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
fl, ob/tr/hpsd/strings/solo Vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 2, II. Andante
fl, ob/tr/hpsd/strings/solo Vl
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:47
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0
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2 (Naxos)
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to be completed
Instrumentation
fl, ob/tr/hpsd/strings/solo Vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Brandenburg Concerto No. 2, III. Allegro assai
fl, ob/tr/hpsd/strings/solo Vl
Baroque
1713
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:38
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
fl, ob/tr/hpsd/strings/solo Vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV 51, V. Alleluja!
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:27
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, I. Aria: Jauchzet Gott in allen Landen!
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, II. Recitative: Wir beten zu dem Tempel an
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, III. Aria: Hochster, mache deine Gute
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bach
Cantata BWV51, IV. Chorale: Sei Lob und Preis mit Ehren
tr, vlI-II, viola, continuo, soprano
Baroque
1730
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
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2 (Naxos)
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to be completed
Instrumentation
tr, vlI-II, viola, continuo, soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Barber
Symphony No. 1, I Andante mon non troppo
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Modern
1936
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:13
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Barber
Symphony No. 1, II Allegro molto
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Modern
1936
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:30
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Barber
Symphony No. 1, III Andante tranquillo
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Modern
1936
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, e.h., 2cl, bass clar, 2bsn, c-basn/4horn, 3tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Baril
Ellipse, one movement
Music on Tape
21st Century
2001
Sound-based
Copyrights Félix Frédéric Baril
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:26
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
Music on Tape
Orchestral effects
to be completed
Orchestration techniques
to be completed
Baril
Un Horla, Scènes I, II, III
horn, perc, el guit, vl, vc, db/ solo soprano
21st Century
2012
Episodic
Copyrights Félix Frédéric Baril
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
25:25
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
horn, perc, el guit, vl, vc, db/ solo soprano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 1, I. Andante sostenuto
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Modern
1908
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:44
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Violin Conceto No. 1, II. Allegro giocoso
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Modern
1908
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
12:37
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl*, 3*ob, 2*cl, 2bsn/4horns, 2tr, 2trb, 1tuba/timp, 1perc, 2harps/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 1
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 2
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 3
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:28
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 4
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 5
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:39
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0
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2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 6
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
Public Domain
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Duration:
13:27
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0
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2 (Naxos)
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to be completed
Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Door 7
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
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Duration:
08:52
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0
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2 (Naxos)
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Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Bluebeard's Castle, Prolog "Night"
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Modern
1911
Not Available
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Duration:
14:30
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0
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2 (Naxos)
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Instrumentation
4*fl, 2ob, e.h, 3*cl, 4*bsn/4 horn, 4tr, 3trb, 1 tuba/timp, 2perc, 2harp, celesta, organ/strings/8 offstage: 4tr, 4trb
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, I. Moderato
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
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Duration:
03:30
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, II. Allegro molto
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
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Duration:
02:11
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0
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2 (Naxos)
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Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, III. Allegro vivace
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
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Duration:
02:43
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0
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2 (Naxos)
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Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, IV. Molto tranquillo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
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Duration:
02:34
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0
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2 (Naxos)
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Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, V. Comodo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
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Duration:
00:58
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0
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2 (Naxos)
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Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Dance Suite, Sz77, VI. Finale (Allegro)
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Modern
1923
Not Available
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Duration:
03:54
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 2trb, 1tuba/timp, 3perc, 1harp, piano(4hands), celesta/strings
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin , II. First seduction game- the shabby old rake (Moderato)
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
03:44
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0
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2 (Naxos)
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Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin , IV. Third seduction game (Sostenuto)
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
01:39
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0
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2 (Naxos)
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Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin , V. The Mandarin enters and remains immobile in the doorway... (Maestoso)
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
00:00
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0
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2 (Naxos)
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Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin, I. Beginning (Allegro)
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
03:01
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin, III. Second seduction game
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
03:12
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin, IX. The terrified tramps discuss how they are to get rid of the Mandarin at la
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
01:24
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
The Miraculous Mandarin, VI. The girl sinks down to embrace him... (Allegro)
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
02:29
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2 (Naxos)
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Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
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to be completed
Bartok
The Miraculous Mandarin, VII. The tramps leap out, seize the Mandarin and tear him away from the girl
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
02:04
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
The Miraculous Mandarin, VIII. Suddenly the Mandarin's head appears between the pillows and he looks lo
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Not Available
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Duration:
03:00
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
The Miraculous Mandarin, X. The body of the Mandarin begins to glow with a greenish blue light. (Molto
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
01:47
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
The Miraculous Mandarin, XI. She resists no longer, - they embrace (Piu mosso - Vivo)
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Modern
1924
Suite
Public Domain
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Duration:
02:31
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0
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2 (Naxos)
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to be completed
Instrumentation
3fl*, 3*ob, 3*cl, 3*bsn/4horns, 3tr, 3trb, 1tuba/timp, 6+perc, 1harp, piano, celesta, organ/str
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
String Quartet No.4, I. Allegro
StringQtet
Modern
1928
Not Available
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00:00
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0
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2 (Naxos)
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Instrumentation
StringQtet
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to be completed
Bartok
String Quartet No.4, II. Prestissimo, con sordino
StringQtet
Modern
1928
Not Available
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00:00
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0
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2 (Naxos)
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Instrumentation
StringQtet
Orchestral effects
to be completed
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to be completed
Bartok
String Quartet No.4, III. Non troppo lento
StringQtet
Modern
1928
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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StringQtet
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to be completed
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to be completed
Bartok
String Quartet No.4, IV. Allegretto pizzicato
StringQtet
Modern
1928
Not Available
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Duration:
02:43
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
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to be completed
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to be completed
Bartok
String Quartet No.4, V. Allegro molto
StringQtet
Modern
1928
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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Instrumentation
StringQtet
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to be completed
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to be completed
Bartok
StringQtet No. 5, III. Scherzo
StringQtet
Modern
1934
Not Available
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Duration:
05:01
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0
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2 (Naxos)
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to be completed
Instrumentation
StringQtet
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to be completed
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to be completed
Bartok
Music for Strings, Percussion and Celesta, I. Andante tranquillo
String Orchestra/perc
Modern
1936
Not Available
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Duration:
06:33
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0
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2 (Naxos)
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Instrumentation
String Orchestra/perc
Orchestral effects
to be completed
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to be completed
Bartok
Music for Strings, Percussion and Celesta, II. Allegro
String Orchestra/perc
Modern
1936
Not Available
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Duration:
07:22
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0
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2 (Naxos)
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Instrumentation
String Orchestra/perc
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to be completed
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to be completed
Bartok
Music for Strings, Percussion and Celesta, III. Adagio
String Orchestra/perc
Modern
1936
Not Available
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Duration:
06:50
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0
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2 (Naxos)
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Instrumentation
String Orchestra/perc
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to be completed
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to be completed
Bartok
Music for Strings, Percussion and Celesta, IV. Allegro molto
String Orchestra/perc
Modern
1936
Not Available
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Duration:
06:35
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0
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2 (Naxos)
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Instrumentation
String Orchestra/perc
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to be completed
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to be completed
Bartok
Sonata for Two Pianos and Percussion, I. Assai lento - Allegro molto
2pianos, 2 perc
Modern
1937
Not Available
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Duration:
13:00
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0
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2 (Naxos)
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2pianos, 2 perc
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to be completed
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to be completed
Bartok
Sonata for Two Pianos and Percussion, II. Lento, ma non troppo
2pianos, 2 perc
Modern
1937
Not Available
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Duration:
06:37
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0
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2 (Naxos)
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Instrumentation
2pianos, 2 perc
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to be completed
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to be completed
Bartok
Sonata for Two Pianos and Percussion, III. Allegro non troppo
2pianos, 2 perc
Modern
1937
Not Available
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Duration:
06:15
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0
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2 (Naxos)
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Instrumentation
2pianos, 2 perc
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to be completed
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to be completed
Bartok
Violin Conceto No. 2, I. Allegro non troppo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Modern
1938
Not Available
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Duration:
16:12
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0
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2 (Naxos)
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2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
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to be completed
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to be completed
Bartok
Violin Conceto No. 2, II. Andante tranquillo
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Modern
1938
Not Available
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Duration:
10:25
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0
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2 (Naxos)
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Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
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to be completed
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to be completed
Bartok
Violin Conceto No. 2, III. Allegro molto
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Modern
1938
Not Available
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Duration:
11:26
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0
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2 (Naxos)
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Instrumentation
2fl*, 2*ob, 2*cl, 2*bsn/4horns, 2tr, 3trb/timp, 2perc, harp, cel/strings/ solo violin
Orchestral effects
to be completed
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to be completed
Bartok
Divertimento for Strings, I. Allegro bon troppo
String Orchestra
Modern
1939
Not Available
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Duration:
09:45
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0
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2 (Naxos)
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String Orchestra
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to be completed
Bartok
Divertimento for Strings, II. Molto Adagio
String Orchestra
Modern
1939
Not Available
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Duration:
09:48
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0
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2 (Naxos)
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String Orchestra
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to be completed
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to be completed
Bartok
Divertimento for Strings, III. Allegro assai
String Orchestra
Modern
1939
Not Available
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Duration:
07:20
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0
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2 (Naxos)
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Instrumentation
String Orchestra
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to be completed
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to be completed
Bartok
Concerto for Orchestra, I. Introduzione (Andante non troppo - Allegro vivace)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Sonata-Allegro
Public Domain
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Duration:
09:03
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0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, II. Giuoco della coppie (Allegretto scherzando)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:11
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, III. Elegia (Andante, non troppo)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:33
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, IV. Intermezzo interrotto (Allegretto)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:03
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bartok
Concerto for Orchestra, V. Finale (Pesante-Presto)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:32
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
PnoCrto2 i(1-16)
1fl, 2ob, 2bsn/2horn/strings
Classical
1787
Sonata
ORCH
The Piano Concerto No. 2 in B-flat major, Op.19 was composed primarily between 1787 and 1789 in Bonn, although it did not attain the form it was published as until 1795. The B-flat major Piano Concerto became an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He was the soloist at its premiere on 29 March 1795, at Vienna's Burgtheater in a concert marking his public debut. The concerto is in three movements. The first movement is in a double-exposition sonata form. There is a rather difficult cadenza composed by Beethoven himself, albeit much later than the concerto itself.
i Allegro con brio, 4/4 in B-flat Major
Duration:
00:28
Independent parts:
12
Audio channels:
13
Stereo preview:
Score preview:
83 KB PDF file
Instrumentation
1fl, 2ob, 2bsn/2horn/strings/SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, I. Allegro
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:26
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, II. Andante
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:54
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, III. Menuetto
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Octet Op. 103, IV. Finale Presto
2ob, 2cl, 2bsn/2horn
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:30
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
PnoCrto2 iii(1-17)
1fl, 2ob, 2bsn/2horn/strings/SOLO pno
Classical
1795
Rondo
ORCH
The Piano Concerto No. 2 in B-flat major, Op.19 was composed primarily between 1787 and 1789 in Bonn, although it did not attain the form it was published as until 1795. The B-flat major Piano Concerto became an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He was the soloist at its premiere on 29 March 1795, at Vienna's Burgtheater in a concert marking his public debut. The third movement takes the form of a Rondo (ABACABA). Beethoven's playfulness of his early period can be heard here.
iii Rondo. Molto allegro, 6/8 in B-flat Major
Duration:
00:20
Independent parts:
14
Audio channels:
14
Stereo preview:
Score preview:
93 KB PDF file
Instrumentation
1fl, 2ob, 2bsn/2horn/strings/SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
PnoCrto1 i(1-16)
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1796
Sonata
ORCH
Ludwig van Beethoven's Piano Concerto No. 1 in C major, Op.15, was written during 1795 and 1797. Dedicated to his pupil Countess of Bratislava Anna Louise Barbara ("Babette") Keglevics, its first performance took place in Prague in 1798, with Beethoven himself playing the piano. This C major concerto reflects Beethoven's assimilation of the styles of Mozart and Haydn, while its abrupt harmonic shifts demonstrate Beethoven's musical personality. The first movement is in sonata form, but with an added orchestral exposition, a cadenza, and a coda.
i Allegro con brio, 4/4 in C Major
Duration:
00:26
Independent parts:
17
Audio channels:
18
Stereo preview:
Score preview:
79 KB PDF file
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings/SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph1 i(1-19)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1799
Adagio-Sonata Allegro
ORCH
Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found from 1795. Unusually, Beethoven starts the first movement with a sequence of repeatedly accentuated dominant-tonic chord sequences, however, in the "wrong" key and untouching and leading away from the tonic, so that the listener only gradually realizes the home key of the symphony.
i Adagio molto,4/4 – Allegro con brio, 2/2 in C Major
Duration:
01:17
Independent parts:
18
Audio channels:
19
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
PnoCrto3 i(1-16,317-331)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings/SOLO pno
Classical
1800
Sonata
ORCH
The Piano Concerto No. 3 in C minor, Op. 37, was composed in 1800 and was first performed on 5 April 1803, with the composer as soloist. The score was incomplete at its first performance. Beethoven's friend, Ignaz von Seyfried, who turned the pages of the music for him that night, later wrote: “I saw almost nothing but empty pages; at the most, on one page or another a few Egyptian hieroglyphs wholly unintelligible to me were scribbled down to serve as clues for him; he played nearly all the solo part from memory.” In the first movement the first primary theme is reminiscent of that of Mozart's 24th Piano Concerto.
i Allegro con brio, 2/2 in C minor
Duration:
01:00
Independent parts:
22
Audio channels:
20
Stereo preview:
Score preview:
96 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings/SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph3 ii(1-8,105-116)
2bsn/strings
Classical
1803
March Fugato
ORCH+piano(1-8)
The Symphony No. 3 in E-flat major, Opus 55 (also Sinfonia Eroica, Heroic Symphony) is a structurally rigorous composition which marked the beginning of the creative middle-period of Ludwig van Beethoven. Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution. In autumn of 1804, Beethoven withdrew his dedication of the third symphony to Napoleon. The second movement is a funeral march in C minor with a trio in C major, and comprises multiple fugatos. Musically, the thematic solemnity of the second movement lends it use as a funeral march proper.
ii Marcia funebre, Adagio assai, 2/4 in C minor
Duration:
01:28
Independent parts:
7
Audio channels:
9
Stereo preview:
Score preview:
94 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph3 iii(1-30)
1fl, 1ob, 1bsn/strings
Classical
1803
Scherzo
ORCH+REDUC+piano
The Symphony No. 3 in E-flat major, Opus 55 (also Sinfonia Eroica, Heroic Symphony) is a structurally rigorous composition which marked the beginning of the creative middle-period of Ludwig van Beethoven. Beethoven originally dedicated the third symphony to Napoleon Bonaparte, who he believed embodied the democratic and anti-monarchical ideals of the French Revolution. In autumn of 1804, Beethoven withdrew his dedication of the third symphony to Napoleon. The third movement is a lively scherzo which ranges in dynamic from pianissimo to fortissimo. It contains numerous heavily and unusually syncopated passages. Its trio features hunting calls from the three horns.
iii Scherzo, Allegro vivace, 3/4 in E-flat Major
Duration:
00:17
Independent parts:
8
Audio channels:
11
Stereo preview:
Score preview:
100 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, I. Allegro con brio
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, II. Marcia funebre:Adagio assai
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, III. Scherzo: Allegro vivace
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 3 Eroica, IV.Finale: Allegro molto
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Classical
1803
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/3horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Coriolan Overture, one movement
2fl, 2ob, 2cl, 2bsn/2horns, 2tr/timp/strings
Classical
1804
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horns, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, I. Allegro con brio
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, II. Andante con moto
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, III. Scherzo. Allegro
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 5, IV. Allegro
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Classical-Early Romantic
1804
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/2horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Piano Concerto No. 4, I - Allegro moderato
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Classical
1805
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
19:20
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Leonora Overture 3, one movement
2fl, 2ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:41
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph4 i(80-110,350-371)
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Sonata
ORCH
Ludwig van Beethoven composed the Symphony No. 4 in B-flat major, Op. 60, in the summer of 1806. It was premièred in March 1807 at a private concert. In general the symphony is sunny and cheerful, with light instrumentation in a manner that recalls the symphonies of Joseph Haydn, with whom Beethoven had studied a decade before. The Fourth Symphony contains many aspects that show his growing strength as a composer, most notably the B-flat minor Adagio introduction to the first movement.
i Adagio, 4/4 in B-flat minor – Allegro vivace, 4/4 in B-flat Major
Duration:
00:55
Independent parts:
17
Audio channels:
18
Stereo preview:
Score preview:
130 KB PDF file
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, I. Adagio - Allegro vivace
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
12:27
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, II. Adagio
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, III. Scherzo-Trio
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 4, IV. Finale: Allegro ma non troppo
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1806
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:50
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
VlCrtoOp61 i(1-19)
2ob, 2cl, 2bsn/timp/strings
Classical
1806
Sonata
ORCH
Ludwig van Beethoven composed his Violin Concerto in D major, Op. 61, in 1806. Its first performance by Franz Clement was rather unsuccessful. It seems that Beethoven's final delivery of the score only shortly before the concert forced the soloist to practically sight-read the music. For some decades the work languished in obscurity, until revived in 1844 by Joseph Joachim. Since then it has become one of the best-known violin concertos. The first movement starts with the famous four beats on the timpani that will reappear throughout and has a duration of about 25 minutes.
i Allegro ma non troppo, 4/4 in D Major
Duration:
00:46
Independent parts:
12
Audio channels:
13
Stereo preview:
Score preview:
88 KB PDF file
Instrumentation
1fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings/SOLO vl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 6, I. Allegro ma non troppo, Awakening of cheerful feelings on arrival in the countryside
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Classical-Early Romantic
1808
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:08
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 6, III. Allegro, Merry gathering of country folk
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Classical-Early Romantic
1808
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Piano Concerto No. 5, I. Allegro
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Classical
1809
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
20:57
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Piano Concerto No. 5, II. Adagio un poco mosso
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Classical
1809
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings /SOLO pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph7 ii(1-130)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Double Variation
ORCH+REDUC+piano
Beethoven composed the Symphony No. 7 in A major, Op. 92, between 1811 and 1812, while improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries. At its première, Beethoven was noted as remarking that it was one of his best works. The second movement in A minor has a tempo marking of Allegretto (a little lively), making it slow only in comparison to the other three movements; it was encored at the premiere and has remained popular since. Its reliance on the string section makes it a good example of Beethoven's advances in orchestral writing for strings, building on the experimental innovations of Haydn. The movement is structured in a double variation form. It begins with a sforzando 6/4 chord played by the winds followed by the main motive played by the violas, cellos and basses: an ostinato of a quarter note, two eighth notes and two quarter notes. This melody is then played by the second violins while the violas and cellos play a second melody, described by George Grove as "a string of beauties hand-in-hand". The first violins then take the first melody while the second violins take the second. This progression culminates with the wind section playing the first melody while the first violin plays the second. The music changes later from A minor to A major as the clarinets take a calmer melody to the background of light triplets played by the violins. This section ends thirty-seven bars later with a quick descent of the strings on an A minor scale, and the first melody is resumed and elaborated upon in a strict fugato.
ii Allegretto, 2/4 in A minor
Duration:
04:40
Independent parts:
18
Audio channels:
21
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Score preview:
150 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symph7 iii(1-24)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Scherzo
ORCH
Beethoven composed the Symphony No. 7 in A major, Op. 92, between 1811 and 1812, while improving his health in the Bohemian spa town of Teplice. The work is dedicated to Count Moritz von Fries. At its première, Beethoven was noted as remarking that it was one of his best works. The third movement is a very lively scherzo full of dancing energy and builds a wonderful contrast to the preceding movement. The trio is based on an Austrian pilgrims' hymn and played twice rather than once, quite common in other works of Beethoven of this period.
iii Presto, 3/4 in F Major – Trio, Assai meno presto in D major
Duration:
00:13
Independent parts:
18
Audio channels:
19
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Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 7, II. Allegretto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:48
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 7, III. Presto - Assai meno presto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1811
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:04
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 8, I. Allegro vivace e con brio
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical-Early Romantic
1812
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:18
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, I. Allegro ma non troppo, un poco maestoso
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:30
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, II. Molto vivace
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
14:15
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, III. Adagio molto e cantabile
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
12:51
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Symphony No. 9, IV. Finale
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Classical-Early Romantic
1822
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
22:10
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings/soli SATB, Choir
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, I. Kyrie
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:48
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, II. Gloria
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, III. Credo
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
17:29
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, IV. Sanctus
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
15:17
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Beethoven
Missa Solemnis, V. Agnus Dei
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Classical
1823
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:40
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horns, 2tr, 3trb/timp, organ/strings/ choir, 4soli: SATB
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Three Orchestral Pieces, II. Reigen
4*fl, 4*ob, 5*cl, 4*bsn/6horn, 4tr, 4trb, tuba/2timp, 5perc/2harp, celesta/strings
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:31
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 5*cl, 4*bsn/6horn, 4tr, 4trb, tuba/2timp, 5perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, I. Allegretto giovale
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:37
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
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to be completed
Berg
Lyrische Suite, II. Andante amoroso
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:11
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, III. Allegro misterioso
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:18
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, IV. Adagio appassionato
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:28
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, V. Presto delirando
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:31
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Lyrische Suite, VI. Largo desolato
StringQtet
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:39
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Violin Concerto, I. Andante, Allegretto
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berg
Violin Concerto, II. Allegro, Adagio
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 4*cl(3.+altsax), 3*bsn/4horns, 2tr, 2trb, tuba/timp, 2perc, harp/strings/ solo violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.1 Stinging
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:38
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.2 Riverly Is a Flower
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:18
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.3 N(O)w
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:33
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.4 Riverly Is a Flower
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:12
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Circles, No.5 Stinging
soprano, harp, 2perc
After 1945
1960
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:15
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
soprano, harp, 2perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, I.
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, II. O King
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, III. In ruhig fliessender Bewegung
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, IV.
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berio
Sinfonia, V.
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Late 20th Century
1968
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 4*cl, 3*bsn, altsax, tensax/4horns, 4tr, 3trb, tuba/timp, 3perc, harp, piano, el org, el psd/strings/ 8 voices (SSAATTBB)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
SymphFantastique-Choral v(205-215)
4horn, 2tr, 3trb
Romantic
1830
Cyclic
BRASS+REDUC
Hector Berlioz’s Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts, Op.14 is a program symphony written in 1830. It is a seminal piece of the early Romantic period. The first performance was at the Paris Conservatoire in December 1830. Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature. Berlioz wrote about the fifth movement in those terms: “He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts… The dance of the witches combined with the Dies irae!”
v “Dream of a Witches' Sabbath”, Larghetto, 4/4 in C Major
This piece is reserved for teachers.
Duration:
00:12
Independent parts:
9
Audio channels:
11
Stereo preview:
Score preview:
54 KB PDF file
Instrumentation
2*fl, 2*ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/4timp, 4perc, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
SymphFantastique iv(1-77)
2fl, 2ob, 2cl, 4bsn/4horn, 4tr, 3trb, 1tuba/2timp/strings
Romantic
1830
Sectional
ORCH
Hector Berlioz’s Fantastical Symphony: An Episode in the Life of an Artist, in Five Parts, Op.14 is a program symphony written in 1830. It is a seminal piece of the early Romantic period. The first performance was at the Paris Conservatoire in December 1830. Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature. Berlioz wrote about the fourth movement in those terms: “Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow”
iv “March to the Scaffold”, Allegretto non troppo, 2/2 in G minor
Duration:
02:08
Independent parts:
28
Audio channels:
30
Stereo preview:
Score preview:
200 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 4bsn/4horn, 4tr, 3trb, 2tuba/3timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie fantastique, I. Rêveries - Passions
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
15:52
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, II. Un Bal
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, III. Scène aux Champs
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
17:05
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, IV. Marche au supplice
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, IV. Marche au supplice
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Symphonie Fantastique, V. Songe d'un Nuit du Sabbat
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Romantic
1830
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:36
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 4bsn/4horn, 4tr, 3trb, 2tuba/2timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Roman Carnival Overture, one movement
2*fl, 2*ob, 2cl, 2bsn/4horn, 4tr, 3trb/timp, 3perc/strings
Romantic
1844
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 4tr, 3trb/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Berlioz
Rakoczy March, one movement
3*fl, 2ob, 2cl, 4bsn/4horns, 4tr, 3trb, tuba/timp, 2perc/strings
Romantic
1846
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 4bsn/4horns, 4tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, I. Prologue
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, II. Somewhere
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:53
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, III. Scherzo
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:16
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, IV. Mambo
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:15
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, IX. Rumble
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, V. Cha-Cha
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, VI. Meeting Scene
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, VII. Cool (VIII) Fugue)
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:02
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bernstein
Symphonic Dances from West Side Story, X. Finale
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
After 1945
1957
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 4*cl, 3*bsn, altsax/4horns, 3tr, 3trb, tuba/timp, 4perc, harp, pno-cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), I.Marche (Trompette et Tambour)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:14
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), II.Berceuse (La Poupée)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:53
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), III.Impromtu (La Toupie)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:05
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), IV.Duo (Petit Mari, Petite Femme)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Petite Suite (Jeux d'Enfants), V.Galop (Le Bal)
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Romantic
1871
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen (suite), II Entracte
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen (suite), V. Les Dragons d'Alcala (Entracte 3)
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen, Habanera
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:18
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen, Habanera
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:18
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings/SOLO Mezzo, CHOIR
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen ActI-PresDesRempartsSeville(102 mes)
2fl, 2*ob, 2cl, 2bsn/2horn, 2tr, 3trb/timp/strings
Romantic
1873
Sectional
ORCH+piano
Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on March 3, 1875, where its breaking of conventions shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music.
Zuniga, the officer of the guard, learns that Carmen has attacked a woman with a knife. When challenged, Carmen answers with mocking defiance ("Tra la la... Coupe-moi, brûle-moi"); Zuniga orders José to tie her hands while he prepares the prison warrant. Left alone with José, Carmen beguiles him with a seguidilla, in which she sings of a night of dancing and passion with her lover—whoever that may be—in Lillas Pastia's tavern. Confused yet mesmerised, José agrees to free her hands; as she is led away she pushes her escort to the ground and runs off laughing. José is arrested for dereliction of duty…
The piece incorporates Spanish modality (phrygian, lydian and aeolian modes) to the standard central-european tonality in a very innovative, syncretic fashion.
Carmen, Près des Remparts de Séville, 3/8 in B minor
Duration:
01:58
Independent parts:
25
Audio channels:
30
Stereo preview:
Score preview:
200 KB PDF file
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
Carmen Overture(121-147)
2cl, 2bsn/4horn, 1tr, 3trb/timp, 1perc, harp/strings
Romantic
1873
Sectional
ORCH
Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on March 3, 1875, where its breaking of conventions shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Bizet, who had never visited Spain, sought out appropriate ethnic material to provide an authentic Spanish flavour to his music. Carmen's famous Habanera is based on an idiomatic song, "El Arreglito", by the Spanish composer Sebastián Yradier (1809–65). The Prelude to Act 1 combines three recurrent themes: the entry of the bullfighters from Act 4, the Refrain from the Toreador Song from Act 2, and the motif that, in two slightly differing forms, represents both Carmen herself and the fate that she personifies. This motif, played by clarinet, bassoon, cornet and cellos over tremolo strings, concludes the prelude with an towering crescendo.
Carmen, Overture, 2/4 in A Major
Duration:
01:22
Independent parts:
17
Audio channels:
21
Stereo preview:
Score preview:
120 KB PDF file
Instrumentation
2*fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), I.Ouverture
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:54
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), II.Minuetto
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:45
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), III.Adagietto
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bizet
L'Arlésienne (suite No. 1), IV.Carillon
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Romantic
1873
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, saxAlt, 2bsn/4horn, 4tr, 3trb/timp, perc, harpORpno/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bloch
Schelomo (Cello Concerto), one large movement
3*fl, 2ob, e.h, 2cl, bass cl, 2bsn, c-bsn/4horn, 3tr, 3trb, 2tuba/timp, perc, celesta, 2 harp/strings/SOLO cello
Early Modern
1915
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
24:21
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, e.h, 2cl, bass cl, 2bsn, c-bsn/4horn, 3tr, 3trb, 2tuba/timp, perc, celesta, 2 harp/strings/SOLO cello
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
Prince Igor, Act II Song Tender flower
3*fl, 4*ob, 3*cl, 2bsn/4horns, 2tr, 3trb, tuba/timp, 5+perc, harp, pno(ad lib)/strings/ On stage: 2cornets, althorn, tenhorn, bar, tuba/snare / choirs, vocal soli (S-T-Bar-B)
Romantic
1869
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:57
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 4*ob, 3*cl, 2bsn/4horns, 2tr, 3trb, tuba/timp, 5+perc, harp, pno(ad lib)/strings/ On stage: 2cornets, althorn, tenhorn, bar, tuba/snare / choirs, vocal soli (S-T-Bar-B)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
String Quartet No. 1, III. Scherzo
StringQtet
Not Available
1874
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:20
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
StringQtet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
In the Steppes of Central Asia, one movement
2fl, 2*ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Romantic
1880
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2*ob, 2cl, 2bsn/4horns, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Borodine
StepsCentralAsia (40-71)
2fl, 2*ob, 2cl/1horn/timp/strings
Romantic
1880
Symphonic Poem
ORCH
In the Steppes of Central Asia is the common English title for a "musical tableau" (or symphonic poem) by Alexander Borodin, composed in 1880. The work was originally intended to be presented as one of several tableaux vivants to celebrate the silver anniversary of the reign of Alexander II of Russia. The intended production never occurred, but the work itself became, and has remained, a concert favorite ever since its first concert performance, on 20 April 1880 in St. Petersburg by the orchestra of the Russian Opera under Nikolai Rimsky-Korsakov. The work is dedicated to Franz Liszt. This work idyllically depicts an interaction of Russians and Asians in the steppe lands of the Caucasus. A caravan of Central Asians is crossing the desert under the protection of Russian troops. The opening theme, representing the Russians, is heard first; then we hear the strains of an ornamented eastern melody on English horn, representing the Asians. These two melodies eventually are combined contrapuntally. Amidst these two ethnic melodies is heard a "traveling" theme in pizzicato that represents the plodding hoofs of the horses and camels. At the end only the Russian theme is heard.
Allegretto con moto, 2/4 in A minor then A Major
Duration:
01:00
Independent parts:
10
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12
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Instrumentation
2fl, 2*ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
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BoulangerL
D'un soir triste
Not Available
Impressionism
1918
Symphonic Poem
Public Domain
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
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Not Available
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Bouliane
Quatre Chants pour soprano, piano et violoncelle, I.Sérénade triste, II.Accompagnement, III.Cage d'Oiseau, IV.Demain seulement
soprano, cello, piano
Late 20th Century
1974
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
25:21
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0
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2 (stereo)
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to be completed
Instrumentation
soprano, cello, piano
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to be completed
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to be completed
Bouliane
Jeux de Société, I- Collin-Maillard
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:43
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0
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2 (stereo)
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to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
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to be completed
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to be completed
Bouliane
Jeux de Société, II-Le Jeu du Téléphone
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:48
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0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
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to be completed
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to be completed
Bouliane
Jeux de Société, III-Poker
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:24
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0
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2 (stereo)
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to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
Orchestral effects
to be completed
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to be completed
Bouliane
Jeux de Société, IV-Interlude
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
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Duration:
03:21
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0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
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to be completed
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to be completed
Bouliane
Jeux de Société, V-Gossip
fl, ob, cl, bsn/horn/piano +amplfication
Late 20th Century
1980
Not Available
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This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:31
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0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
fl, ob, cl, bsn/horn/piano +amplfication
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to be completed
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to be completed
Bouliane
Douze tiroirs de demi-vérités pour alléger votrer descente (Piano Concerto), I.-XII.
2fl, 2ob, 2bsn/2horn/timp, 1perc/strings/SOLO Piano
Late 20th Century
1981
Not Available
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Duration:
20:05
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0
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2 (stereo)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn/timp, 1perc/strings/SOLO Piano
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Bouliane
Comme un Silène entr'ouvert, one large movement
*fl,ob,*cl/trb/harp, piano/db/Tape
Late 20th Century
1983
Not Available
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Duration:
19:16
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0
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2 (stereo)
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to be completed
Instrumentation
*fl,ob,*cl/trb/harp, piano/db/Tape
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to be completed
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to be completed
Bouliane
A propos et le Baron perché, one large movement
2bass cl, 2contrabsn/2horn, tr, 2trb/db
Late 20th Century
1985
Not Available
Copyrights Denys Bouliane
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Duration:
13:40
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0
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2 (stereo)
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to be completed
Instrumentation
2bass cl, 2contrabsn/2horn, tr, 2trb/db
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to be completed
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to be completed
Bouliane
A certain chinese cyclopaedia, one large movement
WW Quintet
Late 20th Century
1986
Not Available
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Duration:
13:46
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0
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2 (stereo)
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to be completed
Instrumentation
WW Quintet
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to be completed
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Bouliane
Le Cactus rieur et la Demoiselle qui souffrait d'une soif insatiable, one large movement
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, piano+cel/strings
Late 20th Century
1986
Not Available
Copyrights Denys Bouliane
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Duration:
22:17
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0
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2 (stereo)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, piano+cel/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Bouliane Contredanse Silene Badouny, one movement
solo piano
Late 20th Century
1988
Not Available
Copyrights Denys Bouliane
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Duration:
03:17
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0
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2 (stereo)
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to be completed
Instrumentation
solo piano
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to be completed
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to be completed
Bouliane
Das Affenlied, one movement
solo soprano
Late 20th Century
1988
Not Available
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Duration:
14:12
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0
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2 (stereo)
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to be completed
Instrumentation
solo soprano
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to be completed
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to be completed
Bouliane
Manche haben Trompinetten, I-Manche haben Trompinetten
soprano, bass cl
Late 20th Century
1989
Not Available
Copyrights Denys Bouliane
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Duration:
04:03
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0
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2 (stereo)
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to be completed
Instrumentation
soprano, bass cl
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to be completed
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to be completed
Bouliane
Manche haben Trompinetten, II-Ich kaufte hartes Brot
soprano, bass cl
Late 20th Century
1989
Not Available
Copyrights Denys Bouliane
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Duration:
03:03
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
soprano, bass cl
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Trois petits simiodrames, I-Java
cl/1perc/vl, vla, vc
Late 20th Century
1990
Not Available
Copyrights Denys Bouliane
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Duration:
02:54
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0
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2 (stereo)
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to be completed
Instrumentation
cl/1perc/vl, vla, vc
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to be completed
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to be completed
Bouliane
Trois petits simiodrames, II-Série blême
cl/1perc/vl, vla, vc
Late 20th Century
1990
Not Available
Copyrights Denys Bouliane
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Duration:
05:16
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0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
cl/1perc/vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Trois petits simiodrames, III-Rimettes bouclées
cl/1perc/vl, vla, vc
Late 20th Century
1990
Not Available
Copyrights Denys Bouliane
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Duration:
05:06
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0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
cl/1perc/vl, vla, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Une Soirée Vian, 5 Sections; 22 Movements
sax+ewi, cl+bass cl+ewi/trb/perc-drum/piano+synth/db/SOLO soprano, bass +Electronics
Late 20th Century
1990
Not Available
Copyrights Denys Bouliane
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Duration:
17:37
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
sax+ewi, cl+bass cl+ewi/trb/perc-drum/piano+synth/db/SOLO soprano, bass +Electronics
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., !-Arrachis
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
Copyrights Denys Bouliane
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Duration:
06:26
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., II-Pics et arêtes
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:17
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., III-Frâsil
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
Copyrights Denys Bouliane
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Duration:
03:30
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., IV-Côtes et coteillages
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
Copyrights Denys Bouliane
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Duration:
04:48
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Paysage Qu., V-Valse endémique
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Late 20th Century
1992
Not Available
Copyrights Denys Bouliane
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Duration:
03:20
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
cl, bass cl/2tr, 2trb/2perc/vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Appels-Rappels, I
4horn, 3tr, 3trb, tuba/perc
Late 20th Century
1994
Not Available
Copyrights Denys Bouliane
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Duration:
08:02
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
4horn, 3tr, 3trb, tuba/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Appels-Rappels, II
4horn, 3tr, 3trb, tuba/perc
Late 20th Century
1994
Not Available
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Duration:
05:36
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
4horn, 3tr, 3trb, tuba/perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Des caresses, one movement
fl alt, vl, vla, vc, db
Late 20th Century
1994
Not Available
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Duration:
14:04
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0
Audio channels:
2 (stereo)
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Score preview:
to be completed
Instrumentation
fl alt, vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Pour parer la Parade, one movement
Electronic tape
Late 20th Century
1994
Not Available
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Duration:
03:35
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
Electronic tape
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Un Woyzeck de bois, 17 Movements
Hybrid Electronic
Late 20th Century
1994
Not Available
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Duration:
00:32
Independent parts:
0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
Hybrid Electronic
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Concerto pour piano, I-...gestes en éventail
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Late 20th Century
1995
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
14:35
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Concerto pour piano, II-...en guise d'andantino
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Late 20th Century
1995
Not Available
Copyrights Denys Bouliane
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Duration:
12:52
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/strings/SOLO Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Entre chien et loup (Oboe Concerto), one large movement
timp, 1perc/strings/SOLO Oboe
Late 20th Century
1995
Not Available
Copyrights Denys Bouliane
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Duration:
14:35
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
timp, 1perc/strings/SOLO Oboe
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Du fouet et du plaisir, one large movement
picc, ob, cl, bass cl, contrabsn/horn, tr, trb/perc, piano/2vl, vla, vc, db
Late 20th Century
1996
Not Available
Copyrights Denys Bouliane
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Duration:
14:27
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0
Audio channels:
2 (stereo)
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to be completed
Instrumentation
picc, ob, cl, bass cl, contrabsn/horn, tr, trb/perc, piano/2vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Le sexe des Anges (Bass Clarinet Concerto), one large movement
2*fl, 2ob, 2*cl, 2*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc, harp, piano/strings/SOLO Bass Clarinet
21st Century
2000
Not Available
Copyrights Denys Bouliane
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Duration:
16:49
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0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2*cl, 2*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc, harp, piano/strings/SOLO Bass Clarinet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Qualia sui, I-Via prima
vl, vc, piano
21st Century
2001
Not Available
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Duration:
15:14
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0
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2 (stereo)
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to be completed
Instrumentation
vl, vc, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Qualia sui, II-Via secunda
vl, vc, piano
21st Century
2001
Not Available
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Duration:
07:46
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0
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2 (stereo)
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to be completed
Instrumentation
vl, vc, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Qualia sui, III-Via tertia
vl, vc, piano
21st Century
2001
Not Available
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Duration:
07:49
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0
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2 (stereo)
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to be completed
Instrumentation
vl, vc, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Rumore sui, I-Via prima
Str Qtet: 2vl, vla, vc
21st Century
2002
Not Available
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Duration:
14:20
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0
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2 (stereo)
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to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
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to be completed
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to be completed
Bouliane
Rumore sui, II-Via secunda
Str Qtet: 2vl, vla, vc
21st Century
2002
Not Available
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Duration:
12:31
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0
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2 (stereo)
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to be completed
Instrumentation
Str Qtet: 2vl, vla, vc
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to be completed
Orchestration techniques
to be completed
Bouliane
La Neige est blanche mais l'eau est noire, I-Snowball Ciaccona (Ciaccona boule-de-neige)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2003
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:27
Independent parts:
0
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2 (stereo)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
La Neige est blanche mais l'eau est noire, II-Frosted Passacaglia (Passacaglia givrée)
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2003
Not Available
Copyrights Denys Bouliane
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Duration:
06:29
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0
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2 (stereo)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
La Neige est blanche mais l'eau est noire, III-Canto figurato with a melting ground
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2003
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:06
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0
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2 (stereo)
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to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, I-Chute des atomes et froissements du clinamen
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:40
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, II-Ronde des dieux qui n'ont qu'à aller leur chemin
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:49
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, III-Une douleur qui s'abolit ... au Jardin du clinamen
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
Copyrights Denys Bouliane
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Duration:
06:58
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Tetrapharmakos, IV-Cette mort qui ne nous concerne guère: marches, dé-marches et vrilles de vie
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
21st Century
2004
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:05
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Violin, Cello, Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Rythmes et Echos des Rivages anticostiens, one large movement
*fl, *ob, 2*cl, *bsn/horn, tr, trb/piano, perc./2vl, vla, vc, db
21st Century
2008
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
17:24
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
*fl, *ob, 2*cl, *bsn/horn, tr, trb/piano, perc./2vl, vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Vols et Vertiges du Gamache (Cello Concerto), one large movement
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Cello
21st Century
2008
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
22:14
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc, 2harp, piano-cel/strings/SOLO Cello
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Kahseta's tekeni-ahsen, one movement
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
21st Century
2010
Not Available
Copyrights Denys Bouliane
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:37
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0
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2 (stereo)
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Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 2perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Pierrot Clair de lune, one movement
soprano, piano
21st Century
2012
Not Available
Copyrights Denys Bouliane
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Duration:
05:28
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0
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2 (stereo)
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to be completed
Instrumentation
soprano, piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bouliane
Er ist nicht tot, weil er gestorben ist..., one movement
bass cl, vl, vc
21st Century
2013
Not Available
Copyrights Denys Bouliane
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Duration:
01:29
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0
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2 (stereo)
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to be completed
Instrumentation
bass cl, vl, vc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 1, I. Un poco sostenuto - Allegro
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1855
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:59
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 1, II. Andante sostenuto
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1855
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:11
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 1, IV. Adagio-Più andante-Allegro non troppo, ma con brio-Più allegro
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1855
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:59
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Hungarian Dance No. 1, No. 1
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr,/timp, perc(triangle)/strings
Romantic
1869
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:01
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0
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2 (stereo)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr,/timp, perc(triangle)/strings
Orchestral effects
to be completed
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to be completed
Brahms
HungDance i(1-72)
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr,/timp, perc(triangle)/strings
Romantic
1869
Sectional
ORCH(Brahms)+pianos4h
The Hungarian Dances by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1869. They vary from about a minute to four minutes in length. They are among Brahms's most popular works, and were certainly the most profitable for him. Each dance has been arranged for a wide variety of instruments and ensembles. Only numbers 11, 14 and 16 are entirely original compositions. For three of the dances (Nos. 1, 3 and 10) Brahms wrote orchestral arrangements in 1873, first performed on 5 February 1874 conducted by the composer in Leipzig. The remaining dances were orchestrated by other composers or arrangers.
i Dance Nº 1 Allegro molto, 2/4 in G Minor
Duration:
01:05
Independent parts:
30
Audio channels:
25
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210 KB PDF file
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr,/timp, perc(triangle)/strings
Orchestral effects
to be completed
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to be completed
Brahms
No. 1. Capriccio in F-Sharp Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
Orchestral effects
to be completed
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to be completed
Brahms
No. 2. Capriccio in B Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
Orchestral effects
to be completed
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to be completed
Brahms
No. 3. Intermezzo in A-Flat Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
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Solo Piano
Orchestral effects
to be completed
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to be completed
Brahms
No. 4. Intermezzo in B-Flat Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
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Solo Piano
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to be completed
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to be completed
Brahms
No. 5. Capriccio in C-Sharp Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
Orchestral effects
to be completed
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to be completed
Brahms
No. 6. Intermezzo in A Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
Orchestral effects
to be completed
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to be completed
Brahms
No. 7. Intermezzo in A Minor
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
Orchestral effects
to be completed
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to be completed
Brahms
No. 8. Capriccio in C Major
Solo Piano
Romantic
1871
Not Available
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
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to be completed
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to be completed
Brahms
Variations on a Theme by Haydn, Choral, VIII Variations, Finale
picc, 2fl, 2ob, 2cl, 2bsn, contrabsn/4horn, 2tr/timp, perc/strings
Romantic
1873
Not Available
Not Available
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Duration:
18:43
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0
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2 (Naxos)
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to be completed
Instrumentation
picc, 2fl, 2ob, 2cl, 2bsn, contrabsn/4horn, 2tr/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 2, I. Allegro non troppo
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Romantic
1877
Not Available
Public Domain
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Duration:
21:01
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 2, III. Allegretto grazioso (quasi andantino)
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Romantic
1877
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:26
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Violin Concerto, I. Allegro non troppo
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Romantic
1878
Not Available
Public Domain
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Duration:
22:23
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Violin Concerto, II. Adagio
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Romantic
1878
Not Available
Public Domain
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Duration:
09:12
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Violin Concerto, III. Allegro giocoso, ma non troppo vivace -Poco più presto
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Romantic
1878
Not Available
Public Domain
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Duration:
08:10
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0
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2 (Naxos)
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Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings/SOLO Violin
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symph3 iii(1-53)
2fl, 2ob, 2cl, 2bsn/2horn/strings
Romantic
1883
Ternary
ORCH+REDUC+piano
Johannes Brahms composed his Symphony No. 3 in F major, Op. 90 in the summer of 1883 at Wiesbaden, nearly six years after he completed his Second Symphony. The first performance was given on December 2nd, 1883 by the Vienna Philharmonic Orchestra, under the direction of Hans Richter. It is the shortest of Brahms' four symphonies. The third movement is shaped into A-B-A’ before it is closed by a coda. The very well-known, beautifully shaped main theme is heard in the cellos first. It is a melancholic Valse triste very close to Tchaikovsky's style. After the trio part the theme is featured again in the horn. The theme of the third movement was much popularized by the film Do you like Brahms… by Anatole Litvak.
iii Poco Allegretto, 3/8 in C Minor
Duration:
01:51
Independent parts:
15
Audio channels:
18
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140 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
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to be completed
Brahms
Symphony No. 3, I. Allegro con brio
2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1883
Not Available
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Duration:
13:51
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0
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2 (Naxos)
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2fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
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to be completed
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to be completed
Brahms
Symphony No. 4, I. Allegro non troppo
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
Not Available
Public Domain
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Duration:
13:19
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0
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2 (Naxos)
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
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to be completed
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to be completed
Brahms
Symphony No. 4, II. Andante moderato
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
Not Available
Public Domain
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Duration:
12:11
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0
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2 (Naxos)
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to be completed
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 4, III. Allegro giocoso
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
Not Available
Public Domain
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Duration:
06:24
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0
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2 (Naxos)
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symphony No. 4, IV. Allegro energico e passionato
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Romantic
1884
Not Available
Public Domain
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Duration:
10:21
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0
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2 (Naxos)
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to be completed
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2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symph4 i(1-57)
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/strings
Romantic
1885
Modified Sonata
ORCH+piano
The Symphony No. 4 in E minor, Op. 98 is Johannes Brahms' last symphony. He began working on the piece in 1884, just a year after completing his Symphony No. 3. The work was given its premiere in Meiningen on October 25, 1885 with Brahms himself conducting. The symphony is rich in allusions, mostly to various Beethoven compositions. The first movement is in sonata form, although it features some unique approaches to development. For instance, there is no repeat of the exposition; according to the late Malcolm MacDonald, the music is so "powerfully organic and continuously unfolding" that such a repeat would hinder forward progress. The opening theme is initially serene in character, although its composition in a chain of descending thirds adds a fateful air. Its left-versus-right fragmented melodic form also introduces a feeling of conflict which Brahms uses as a fundamental motivation throughout the movement.
i Allegro non troppo, 3/4 in E Minor
Duration:
01:45
Independent parts:
20
Audio channels:
21
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Score preview:
110 KB PDF file
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
Symph4 iv(1-33)
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1885
Passacaglia Variation
ORCH+REDUC+piano
The Symphony No. 4 in E minor, Op. 98 is Johannes Brahms' last symphony. He began working on the piece in 1884, just a year after completing his Symphony No. 3. The work was given its premiere in Meiningen on October 25, 1885 with Brahms himself conducting. The symphony is rich in allusions, mostly to various Beethoven compositions. The last movement is notable as a rare example of a symphonic passacaglia, which is similar to a chaconne with the difference that the subject can appear in other voices than the bass. Brahms uses the passacaglia theme from Johann Sebastian Bach's Cantata, Nach dir, Herr, verlanget mich, BWV 150.
iv Allegro energico e passionato, 3/4 in E Minor
Duration:
00:54
Independent parts:
24
Audio channels:
30
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 2tr, 3trb/timp, 1 perc(triangle)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Brahms
No. 1. Capriccio in D Minor
Solo Piano
Romantic
1892
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
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to be completed
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to be completed
Brahms
No. 2. Intermezzo in A Minor
Solo Piano
Romantic
1892
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
Solo Piano
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to be completed
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to be completed
Brahms
No. 3. Capriccio in G Minor
Solo Piano
Romantic
1892
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
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Solo Piano
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to be completed
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to be completed
Brahms
No. 4. Intermezzo in E Major
Solo Piano
Romantic
1892
Not Available
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00:00
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0
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2 (Naxos)
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to be completed
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Solo Piano
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to be completed
Orchestration techniques
to be completed
Brahms
No. 5. Intermezzo in E Minor
Solo Piano
Romantic
1892
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Solo Piano
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Brahms
No. 6. Intermezzo in E Major
Solo Piano
Romantic
1892
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Solo Piano
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Brahms
No. 7. Capriccio in D Minor
Solo Piano
Romantic
1892
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Solo Piano
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, V. Dirge
Tenor, Horn/Strings
Modern
1943
Not Available
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Duration:
03:20
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Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, I.Prologue (horn)
Tenor, Horn/Strings
Modern
1943
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01:20
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Instrumentation
Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, II.Pastoral
Tenor, Horn/Strings
Modern
1943
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Duration:
03:14
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Instrumentation
Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, III.Nocturne
Tenor, Horn/Strings
Modern
1943
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Duration:
03:34
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Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, IV.Elegy
Tenor, Horn/Strings
Modern
1943
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Duration:
04:09
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Instrumentation
Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, VI.Hymn
Tenor, Horn/Strings
Modern
1943
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02:00
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Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, VII.Sonnet
Tenor, Horn/Strings
Modern
1943
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Duration:
03:43
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Tenor, Horn/Strings
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to be completed
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to be completed
Britten
Serenade Op. 31 for Tenor and Horn, VIII.Epilogue (horn)
Tenor, Horn/Strings
Modern
1943
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Duration:
01:37
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Tenor, Horn/Strings
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to be completed
Britten
The Young Person's Guide to the Orchestra, I. Theme: Allegro maestoso e largamente
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:54
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, II. Variation A
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:30
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, III. Variation B
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:57
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, IV. Variation C
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:45
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, IX. Variation H
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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01:00
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, V. Variation D
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:51
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, VI. Variation E
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:32
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, VII. Variation F
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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01:00
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, VIII. Variation G
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:14
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, X. Variation I
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:47
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XI. Variation J
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:50
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, XII. Variation K
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
00:33
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XIII. Variation L
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:07
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Young Person's Guide to the Orchestra, XIV. Variation M
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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Duration:
01:55
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
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to be completed
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to be completed
Britten
The Young Person's Guide to the Orchestra, XV. Fugue: Allegro molto
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Modern
1945
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02:45
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, perc, harp/strings
Orchestral effects
to be completed
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to be completed
Britten
The Turn of the Screw, 01 Act I The Prologue
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 02 Act I Theme - Scene 1 The Journey
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 03 Act I Variation 1 - Scene 2 The Welcome
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 04 Act I Variation 2 - Scene 3 The Letter
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 05 Act I Variation 3 - Scene 4 The Tower
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 06 Act I Variation 4 - Scene 5 The Window
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 07 Act I Variation 5 - Scene 6 The Lesson
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 08 Act I Variation 6 - Scene 7 The Lake
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 09 Act I Variation 7 - Scene 8 At Night
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 10 Act II Variation 8 - Scene 1 Colloquy and Soliloquy
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 11 Act II Variation 9 - Scene 2 The Bells - Variation 10
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 12 Act II Scene 3 Miss Jessel
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 13 Act II Variation 11 - Scene 4 The Bedroom
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 14 Act II Variation 12 - Scene 5 Quint
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 15 Act II Variation 13 - Scene 6:The Piano
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
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03:24
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Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 16 Act II Variation 14 - Scene 7 Flora
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Britten
The Turn of the Screw, 17 Act II Variation 15 - Scene 8 Miles
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
After 1945
1954
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:24
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, *ob, *cl, bsn/horn/perc, piano-cel, harp/2vl, vla, vc, db/Solo VOICES: 4Sop, 2Ten
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 6, I. Maestoso
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Romantic
1879
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
14:34
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symph6 i(205-216, 353-369)
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Romantic
1881
Sonata
ORCH
Anton Bruckner’s Symphony No. 6 in A major (WAB 106) was composed between September 24, 1879 and September 3, 1881 and dedicated to his landlord, Dr. Anton van Ölzelt-Newin. Bruckner, very proud of his daring writing did no editing nor alteration or redesign. He even himself nicknamed his symphony as “Die Keckste” (the boldest). Truly, the symphony displays a very original style. Bruckner uses themes and intricate combinations he had worked on improvising on the great organ of Linz. He had a chance to hear his work in full only during a rehearsal session, since only the two central movements (Adagio and Scherzo) were performed in public by the Vienna Philharmonic at the concert that took place on February 11, 1883. The first movement, in obvious sonata form, opens with a typical 'Bruckner rhythm' played in the violins, though Bruckner is careful to maintain the enigmatic atmosphere by indicating a bowing that keeps the bow on the string and therefore prohibits the rhythmic figure from becoming too lively. In the Coda, Bruckner passes through the entire cycle of tonality, leaving no key untouched; however, he establishes no tonal center except for A major. The opening phrase of the first theme appears throughout, joined (bar 345) by the rhythmic motive from the beginning of the work. An exultant final statement of that theme and the completion of a massive plagal cadence signal the end of the first movement.
i Maestoso, 4/4 in A Major
Duration:
01:07
Independent parts:
25
Audio channels:
29
Stereo preview:
Score preview:
180 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symph6 ii(111-132)
2fl, 2ob, 2cl, 2bsn/4horn, 3trb, tuba/strings
Romantic
1881
Sonata
ORCH
Anton Bruckner’s Symphony No. 6 in A major (WAB 106) was composed between September 24, 1879 and September 3, 1881 and dedicated to his landlord, Dr. Anton van Ölzelt-Newin. Bruckner, very proud of his daring writing did no editing nor alteration or redesign. He even himself nicknamed his symphony as “Die Keckste” (the boldest). Truly, the symphony displays a very original style. Bruckner uses themes and intricate combinations he had worked on improvising on the great organ of Linz. He had a chance to hear his work in full only during a rehearsal session, since only the two central movements (Adagio and Scherzo) were performed in public by the Vienna Philharmonic at the concert that took place on February 11, 1883.
The second movement is a rare example of a sonata structure Adagio in Bruckner's symphonies. Robert Simpson (BBC) went so far as to describe the movement as the most perfectly realized slow sonata design since the Adagio of Beethoven's Hammerklavier sonata. The movement opens with a theme in the strings, a yearning love song that is joined (bar 5) by a mournful lament in the oboe. After a brief transitional passage, there is a modulation to E major that marks the introduction of the second theme, a soaring, untroubled love song (bar 25). The third theme (bar 53) is characteristic of a funeral march, combining C minor and A flat major and providing a somber contrast to the preceding love song. The dotted rhythm in its first bar calls to mind the oboe lament from the beginning of the movement. There is a brief developmental section (bar 69) that includes modulation on the primary theme as well as inversions of the oboe lament. There is a recapitulation of all three themes (bar 93) though the orchestration is different, with the former violin theme (primary theme) now appearing in the horn and subsequently in the woodwinds. The second theme is recapitulated in its entirety in the tonic followed by a very short reappearance of the third theme. Finally, a transition over a dominant pedal (a Bruckner hallmark) leads to the Coda that Simpson referred to as the fine-drawn consolatory coda that is one of Bruckner's best. At bar 157 one hears the last statement of the primary theme with the movement ending in its tonic, F major, in a state of "perfect serenity."
ii Adagio. Sehr feierlich (Very solemnly), 4/4 in F Major
Duration:
02:20
Independent parts:
23
Audio channels:
24
Stereo preview:
Score preview:
100 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, I. Allegro moderato
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
19:40
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, II. Adagio: Sehr feierlich und sehr langs
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
23:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, III. Scherzo: Sehr schnell -Trio: Etwas langsamer
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:03
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 7, IV. Finale: Bewegt, doch nicht schnell
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Romantic
1881
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:53
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 3tr, 3trb, 5 wagner-tuba, tuba/timp, perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symph8 i(193-262)
3fl, 3ob, 3cl, 3*bsn/8horn, 3tr, 3trb, tuba/timp/strings
Late Romantic
1887
Extended Sonata
ORCH
Anton Bruckner's Symphony No. 8 in C minor is the last symphony the composer completed. It exists in two major versions of 1887 and 1890. It was premiered under conductor Hans Richter in 1892 in Vienna. It is dedicated to the Emperor Franz Joseph I of Austria. This symphony is sometimes nicknamed The Apocalyptic, but this was not a name Bruckner gave to the work himself. In structure, the opening movement is a typically Brucknerian three-subject sonata form, though handled with more panache than in his previous works. The development was substantially refined in 1890. In both versions, this section of the movement contains a massive, augmented three-part statement of the main theme, impressively given on full orchestra, rises pitch-wise by a third until the orchestra drops away, leaving a single flute accompanied by a timpani. In the recapitulation, the third theme leads to a great climax for the entire orchestra. For the 1890 version, the triumphant ending was cut, and the despondent passage extended by a few bars to form a pianissimo coda in itself. This quiet, sombre ending is for low winds and low strings in a thoroughly bleak C minor, and there is no doubt from contemporary letters of Bruckner that it represented death in some way.
i Allegro moderato, 2/2 in C Minor
Duration:
02:36
Independent parts:
32
Audio channels:
34
Stereo preview:
Score preview:
180 KB PDF file
Instrumentation
3fl, 3ob, 3cl, 3bsn/8horn(5-8+wagtuba), 3tr, 3trb, tuba/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 9, I. Feierlich, Misterioso
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Late Romantic
1887
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
24:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Bruckner
Symphony No. 9, II. Scherzo: Bewegt, lebhaft
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Late Romantic
1887
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:04
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 3ob, 3cl, 3bsn/8horn, 3tr, 3trb, tuba/timp/‚Äãstrings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Buron
Buron Qui croire de soi CME, I-VI
*fl, ob, 2*cl, *bsn/sax alt, sax ten/tr, trb/perc, piano-cel/2vl, vla, vc, db/SOLO Mezzo
21st Century
2020
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
16:23
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
*fl, ob, 2*cl, *bsn/sax alt, sax ten/tr, trb/perc, piano-cel/2vl, vla, vc, db/SOLO Mezzo
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
First Construction in Metal, one movement
6 perc
Modern
1939
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
6 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
Second Construction, one movement
4 perc
After 1945
1940
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:51
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
4 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
Third Construction, one movement
4 perc
After 1945
1941
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:18
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
4 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Cage
433 i-ii-iii
Violin and Piano
After 1945
1952
Sectional
Violin+Piano
4'33" is a three-movement composition by American experimental composer John Cage (1912–1992). It was composed in 1952, for any instrument or combination of instruments. The score instructs the performer(s) not to play their instrument(s) during the entire duration of the piece throughout the three movements. The piece purports to consist of the sounds of the environment that the listeners hear while it is performed, although it is commonly perceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, 4_33_ being the total length of the first public performance.
i-ii-iii TACET
Duration:
04:33
Independent parts:
2
Audio channels:
3
Stereo preview:
Score preview:
550 KB PDF file
Instrumentation
Violin and Piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chabrier
Espana, one movement
3*fl, 2ob, 2cl, 4bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp/strings
Late Romantic
1883
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 4bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chavez
Toccata, one movement
6 perc
Modern
1942
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:40
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
6 perc
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
NoctOp15 1(1-40)
2fl, 2ob, 2cl, 2bsn/4horn, 1tr, 3trb/timp/strings
Romantic
1830
Nocturne
ORCH(Glazunov)+piano
The Nocturnes, Op. 15 are a set of three written by Frédéric Chopin between 1830 and 1833. The work was published in January 1834, and was dedicated to the German composer, pianist and conductor Ferdinand Hiller, a friend of Chopin. Nocturne Nº 1 was composed in 1832 in simple ternary form (A-B-A). The first section in F major is marked Andante cantabile while the second section in F minor is a fast and dramatic Con fuoco. In 1892, Alexander Glazunov orchestrated diverse pieces by Chopin. Sharing the love of many Russian composers for Chopin's music, Glazunov displayed a magnificent sense of style and orchestral skills. The piano pieces did not become any heavier but got a new sound in a new facet.
Nº 1, Andante cantabile, 3/4 in F Major
Duration:
02:09
Independent parts:
25
Audio channels:
25
Stereo preview:
Score preview:
160 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
NoctOp37 1(1-42)
WWind Decet: 2fl, 2ob, 2cl, 2bsn/2horn
Romantic
1838
Nocturne
WW(Bouliane)+piano
The Nocturnes Op. 37 are a set of two written by Frédéric Chopin in 1840. Unusually, neither piece carries a dedication. Nocturne Nº 1 is in ternary form and comprises the sudden shift in character between the mournful and searching melodies of the A section and the more serene B section’s brief chorale-like measures in E-flat major. The piece is in total 91 measures long, ending with a Picardy third.
Nº 1, Andante sostenuto, 4/4 in G Minor
This piece is reserved for teachers.
Duration:
02:39
Independent parts:
14
Audio channels:
12
Stereo preview:
Score preview:
150 KB PDF file
Instrumentation
WWind Decet: 2fl, 2ob, 2cl, 2bsn/2horn
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
PrelOp28 20(13 mes)
Brass Ensemble (11): 4horn/3tr,3trb, tuba
Romantic
1838
Prelude
BRASS(Bouliane)+piano
Frédéric Chopin wrote a number of preludes for piano solo. His Op.28, originally published in 1839, comprises a cycle of 24 preludes covering all the major and minor keys, inspired by Bach's The Well-Tempered Clavier. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter with George Sand and her children to escape the damp Paris weather. Prelude Nº 20 is often called the "Chord" prelude. Brief, with large slow crotchet chords in the right hand predominating, against crotchet octaves in the left. It was originally written in two sections of four measures, although Chopin later added a repeat of the last four measures at a softer level, with an expressive swell before the final cadence.
Nº 20, Largo, 4/4 in C Minor
This piece is reserved for teachers.
Duration:
01:11
Independent parts:
15
Audio channels:
13
Stereo preview:
Score preview:
89 KB PDF file
Instrumentation
Brass Ensemble (11): 4horn/3tr,3trb, tuba
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
PrelOp28 22(41 mes)
String Orchestra
Romantic
1838
Prelude
STRINGS(Bouliane)+piano
Frédéric Chopin wrote a number of preludes for piano solo. His Op.28, originally published in 1839, comprises a cycle of 24 preludes covering all the major and minor keys, inspired by Bach's The Well-Tempered Clavier. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter with George Sand and her children to escape the damp Paris weather. Prelude Nº 22 begins with a characteristic dotted rhythm with octaves in the left hand (quaver, dotted quaver, semiquaver) that Scriabin was later to adopt in his early Chopin-esque preludes.
Nº 22, Molto agitato, 6/8 in G Minor
This piece is reserved for teachers.
Duration:
00:57
Independent parts:
9
Audio channels:
7
Stereo preview:
Score preview:
120 KB PDF file
Instrumentation
String Orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
PrelOp28 4(25 mes)
2fl, 2ob, 2cl, 2bsn/2horn/strings
Romantic
1838
Prelude
ORCH(Bouliane)+piano
Frédéric Chopin wrote a number of preludes for piano solo. His Op.28, originally published in 1839, comprises a cycle of 24 preludes covering all the major and minor keys, inspired by Bach's The Well-Tempered Clavier. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter with George Sand and her children to escape the damp Paris weather. Prelude Nº 4 in E minor was played at the composer's request at his funeral along with Mozart's Requiem. The slow chromatic progression of the untiringly repeated chords of the left hand create a rich but tense texture with very subtle enharmonies who seem to be wiling to escape the E minor tonality. The bare melody in the right hand develops as a series of sighs which soon build up to a paroxysm of intensity.
Nº 4, Lento, 4/4 in E Minor
This piece is reserved for teachers.
Duration:
02:09
Independent parts:
19
Audio channels:
17
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
PrelOp28 9(12 mes)
String Orchestra (vla and cello soli)/harp
Romantic
1838
Prelude
STR(+soli)+HARP(Bouliane)+piano
Frédéric Chopin wrote a number of preludes for piano solo. His Op.28, originally published in 1839, comprises a cycle of 24 preludes covering all the major and minor keys, inspired by Bach's The Well-Tempered Clavier. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter with George Sand and her children to escape the damp Paris weather. Prelude Nº 9 is the shortest of the preludes with just 12 bars, harmonically dense with a low, marked bass line that periodically inflates in very expressive trills.
Nº 9, Largo, 4/4 in E- Major
This piece is reserved for teachers.
Duration:
01:32
Independent parts:
16
Audio channels:
13
Stereo preview:
Score preview:
100 KB PDF file
Instrumentation
String Orchestra (vla and cello soli)/harp
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
PrelOp28 9(12 mes)
String Orchestra/harp
Romantic
1838
Prelude
STR+HARP(Bouliane)+piano
Frédéric Chopin wrote a number of preludes for piano solo. His Op.28, originally published in 1839, comprises a cycle of 24 preludes covering all the major and minor keys, inspired by Bach's The Well-Tempered Clavier. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter with George Sand and her children to escape the damp Paris weather. Prelude Nº 9 is the shortest of the preludes with just 12 bars, harmonically dense with a low, marked bass line that periodically inflates in very expressive trills.
Nº 9, Largo, 4/4 in E- Major
This piece is reserved for teachers.
Duration:
01:33
Independent parts:
11
Audio channels:
10
Stereo preview:
Score preview:
93 KB PDF file
Instrumentation
String Orchestra/harp
Orchestral effects
to be completed
Orchestration techniques
to be completed
Chopin
NoctOp48 1(1-24)
2fl, 2ob, 2cl, 2bsn/2horn/strings
Romantic
1840
Nocturne
ORCH(Bouliane)+piano
The Nocturnes Op.48 are a set of two written by Frédéric Chopin in 1841, dedicated to Mlle. Laure Duperré, and published the following year in 1842. Chopin later sold the copyright for the nocturnes for 2,000 francs along with several other pieces. The Nocturne Nº 1 in C minor has been categorized as one of Chopin's greatest emotional achievements. It starts lento, becomes poco più lento and enters its middle section: a magnificent chorale. Later, it moves to doppio movimento agitato. In general, the scheme of the music is ternary form and follows A-B-A'.
Nº 1, Lento, 4/4 in C Minor
This piece is reserved for teachers.
Duration:
01:40
Independent parts:
21
Audio channels:
17
Stereo preview:
Score preview:
150 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Copland
Symphony No. 3, I. Molto moderato - with simple expression
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:45
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Copland
Symphony No. 3, II. Allegro molto
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:03
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Copland
Symphony No. 3, III. Andante quasi allegretto
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:30
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
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Copland
Symphony No. 3, IV. Molto deliberato
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Modern
1944
Not Available
Public Domain
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Duration:
13:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
picc, 3*fl, 3*ob, Ebcl, 2cl, basscl, 2bsn, contra-bsn/4horn, 4tr, 3trb, tuba/timp, perc, pan, cel, 2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
COURSE 1 of 3, 261
C-1 Week-01 261 (Load corresponding BOOKMARK LIST), (See ENVELOPE for attached Documents)
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COURSE 1 of 3, 261
C-1 Week-02 261
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COURSE 1 of 3, 261
C-1 Week-03 261
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C-1 Week-04 261
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COURSE 2 of 3, 360
C-2 Week-01 360 (Load corresponding BOOKMARK LIST), (See ENVELOPE for attached Documents)
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C-2 Week-11 360
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C-2 Week-13 360
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COURSE 3 of 3, 460
C-3 Week-01 460 (Load corresponding BOOKMARK LIST), (See ENVELOPE for attached Documents)
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D'Indy
Istar, Variations symphoniques
3*fl, 3*ob, 3*cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp/strings
Late Romantic
1896
Not Available
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13:29
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2 (Naxos)
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3*fl, 3*ob, 3*cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp/strings
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to be completed
D'Indy
ChoralVarieOp55 (70-78)
2fl, 2ob, 2cl, 2bsn/4horn, 1tr/timp/strings
Late Romantic
1903
Variation
ORCH
The varied Choral op.55 is a composition by Vincent d'Indy for alto saxophone and orchestra, written in 1903. Commissioned by a wealthy American, Elisa Hall (1853-1924), who had developed a passion for the saxophone – an instrument that his doctor advised her to practice to fight against her deafness. She deserves the honor to have made known in the United States allmost all famous French composers of the time like Debussy, Ravel, Schmitt, Caplet, Chabrier, Chausson, Dukas, Fauré, d’Indy. The commissioned works were created by herself as soloist of the Orchestral Club of Boston, a group of musical amateurs of a very good level. The varied Choral op. 55 is a piece in one movement in Tempo di Passacaglia. The orchestra presents a simple serious chorale, a little sad. The entrance of the saxophone, almost shy, is a melody of a noble simplicity. The two parts of the musical phrase are then superposed and developed in different styles, rhythms and harmonies, and form a very special musical jewel.
Choral varié: tempo di passacaglia, 3/4 in C Minor
Duration:
00:26
Independent parts:
19
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21
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120 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 1tr, 3trb/timp/2harp/strings/solo altsax
Orchestral effects
to be completed
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to be completed
Danzi
Quintett op. 68 No. 2, I. Allegro
WW Quintet
Romantic
1824
Not Available
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08:47
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WW Quintet
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Danzi
Quintett op. 68 No. 2, II. Andante
WW Quintet
Romantic
1824
Not Available
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04:31
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WW Quintet
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Danzi
Quintett op. 68 No. 2, III. Minuetto
WW Quintet
Romantic
1824
Not Available
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03:24
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WW Quintet
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Danzi
Quintett op. 68 No. 2, IV. Allegretto
WW Quintet
Romantic
1824
Not Available
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06:00
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WW Quintet
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Davis
Boplicity, 01-Venus De Milo
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
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to be completed
Davis
Boplicity, 02-Rouge
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 03-Boplicity (arr. G. Evans)
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 04-Israel
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 05-Deception
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
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to be completed
Davis
Boplicity, 06-Rocker
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
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00:00
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0
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2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 07-Moon Dreams
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 08-Darn That Dream
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 09-Donna
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 10-Dear Old Stockholm
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 11-Chance It
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 12-Woody'n You
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 13-Yesterdays
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 14-How Deep Is The Ocean
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 15-Tasty Pudding
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 16-Willie The Wailer
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 17-For Adults Only
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Davis
Boplicity, 18-Floppy
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
After 1945
1949
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
altSax, barSax/horn, tr, trb, tuba/drums, piano, Db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Arabesque I(107 mes)
3fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 2trb, tuba/perc(triangle)/harp,celesta/strings
Early Modern
1888
Ternary
ORCH(Bouliane)+piano
The Two Arabesques (Deux arabesques), L. 66, is a pair of piano pieces by Claude Debussy composed when he was still in his twenties, between the years 1888 and 1891. The arabesques are examples of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys, and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time. The first Arabesque begins with parallelism of triads in first inversion, a composition technique very much used by Debussy and other Impressionists which traces back to the tradition of fauxbourdon. It leads into a larger section which begins with a left hand arpeggio in E major and a descending right hand E major pentatonic progression. The second quieter B section is in A major. In the middle of the recapitulation of the A section, the music moves to a higher register and descends, followed by a large pentatonic scale ascending and descending, and resolving back to E major.
i Arabesque Nº 1: Andantino con moto, 4/4 in E Major
This piece is reserved for teachers.
Duration:
04:00
Independent parts:
35
Audio channels:
32
Stereo preview:
Score preview:
160 KB PDF file
Instrumentation
3fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, perc/harp, pno+celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
SuiteBergam i-Prelude(89 mes)
3fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/harp, celesta/strings
Early Modern
1890
Ternary Rondo
ORCH(Bouliane)+piano
The Suite bergamasque is one of the most famous piano suites by Claude Debussy, composed around 1890, at the age of 28, but significantly revised just before its publication in 1905. The title of Suite bergamasque comes from Verlaine's poem “Clair de lune” – title of the third mouvement in Debussy’s suite – which refers to 'bergamasques' in its opening stanza. The first movement Prelude is full of dynamic contrasts with a vigorous beginning and ending. It is a festive piece, which holds much of the Baroque style that is commonly found in preludes.
i Prelude: Moderato, tempo rubato, 4/4 in F Major
This piece is reserved for teachers.
Duration:
04:24
Independent parts:
39
Audio channels:
35
Stereo preview:
Score preview:
290 KB PDF file
Instrumentation
3fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/harp, pno+celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
SuiteBergam iv-Passepied(1-22)
3*fl, 2ob, 2cl, 2bsn/2horn, 2tr, 2trb/2perc/harp/strings
Early Modern
1890
Ternary Rondo
ORCH(Bouliane)+piano
The Suite bergamasque is one of the most famous piano suites by Claude Debussy, composed around 1890, at the age of 28, but significantly revised just before its publication in 1905. The title of Suite bergamasque comes from Verlaine's poem “Clair de lune” – title of the third mouvement in Debussy’s suite – which refers to 'bergamasques' in its opening stanza. The final movement is “Passepied”, a type of dance, which originated in Brittany. Debussy's Passepied is a happy, strangely medieval piece, which is surprisingly faster than its Baroque counterparts. Throughout most of its duration, the piece is played with staccato arpeggios in the left hand accompanying the melody.
iv Passepied: Allegretto ma non troppo, 4/4 in F-sharp Minor
This piece is reserved for teachers.
Duration:
00:32
Independent parts:
28
Audio channels:
25
Stereo preview:
Score preview:
100 KB PDF file
Instrumentation
3fl, 3*ob, 3*cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, perc/harp, pno+celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Nocturnes, I. Nuages
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Early Modern
1892
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:20
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Nocturnes, II. Fêtes
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Early Modern
1892
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:35
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Nocturnes, III. Sirènes
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Early Romantic
1892
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:42
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 2perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Prélude à l'après-midi d'un faune, one movement
3fl, 3*ob, 2cl, 2bsn/4horn/1perc/2harp/strings
Early Modern
1894
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:03
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 3*ob, 2cl, 2bsn/4horn/1perc/2harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
La Mer, I. De l'aube à midi sur la mer
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Modern
1903
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:18
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
La Mer, II. Jeu de Vagues
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Modern
1903
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:48
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
La Mer i(141 mes)
3*fl, 3*ob, 2cl, 3bsn/4horn, 3tr, 3trb, 1 tuba/timp, 2perc (1 cymb,2tamtams)/2harp/strings
Modern
1903
Sectional Cyclic
ORCH+REDUC(122-141)
La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), or simply La mer (The Sea), is an orchestral composition (L 109) by Claude Debussy. Composed between 1903 and 1905, the piece was initially not well received, but soon became one of Debussy's most admired and frequently performed orchestral works. In the first movement “From dawn at noon on the sea”, Debussy explores the subtle changes of atmosphere and brightness of the sea which accompanies the progress of the morning on the water. The first part is a crescendo showing the rise of day. It is supported by a cyclical movement of the strings and winds symbolizing the ebb and flow of the waves. It is followed by a melodie of 16 cellos showing us a calmer sea interrupted by a flute drawing the flight of a bird. The first movement ends with a long crescendo including cymbals, a reminiscent of the crashing waves.
i De l'aube à midi sur la mer: Very slow – Accelerate gradually, starting 6/4 in B Minor
Duration:
09:25
Independent parts:
39
Audio channels:
47
Stereo preview:
Score preview:
440 KB PDF file
Instrumentation
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
La Mer iii-DialogueDuVentEtDeLaMer(31-52, 171-186)
2*fl, 3*ob, 2cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/2harp, glock/strings
Modern
1903
Sectional Cyclic
ORCH
La Mer, trois esquisses symphoniques pour orchestre (French for The sea, three symphonic sketches for orchestra), or simply La Mer (i.e. The Sea), is an orchestral composition (L 109) by French composer Claude Debussy. Composed between 1903 and 1905, the piece was initially not well received, but soon became one of Debussy's most admired and frequently performed orchestral works. The third movement creates the feeling of danger from the sea by dark and menacing tones. In the first part of the movement (cyclic theme) the orchestra rises and falls like the movements of the swell. The second part is a time of disturbing calm before the storm returns. For the final waves break, ships trace their routes, the flood wave is tranformed to a tidal wave.
i Dialogue between wind and waves: animated and tumultuous, starting 2/2 in C-sharp Minor
Duration:
01:05
Independent parts:
28
Audio channels:
43
Stereo preview:
Score preview:
190 KB PDF file
Instrumentation
3*fl, 3*ob, 2cl, 4*bsn/4horn, 5tr(3tr, 2cornets), 3trb, tuba/timp, 3perc/2harp, glock/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Danse Profane, II
HarpSOLO/Strings
Early Modern
1904
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:37
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
HarpSOLO/Strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Danse Sacrée, I
HarpSOLO/Strings
Early Modern
1904
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:41
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
HarpSOLO/Strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, I. Gigues
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, II. Iberia 1-Par les rues et les chemins
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, II. Iberia 2-Les parfums de la nuit
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:37
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, II. Iberia 3-Le matin d'un jour de fête
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:18
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images pour orchestre, III. Rondes de Printemps
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Modern
1905
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:43
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 3*ob, 3cl, 4*bsn/4horn, 3tr, 3trb, tuba/timp, 4perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
ChildrensCorner i-Gradus(76 mes)
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/1perc (triangle, cymb)/1harp/strings
Modern
1906
Ternary
ORCH(Caplet)+piano
Children's Corner (L. 113) is a six-movement suite for solo piano by Claude Debussy. It was published in 1908 and was given its world première in Paris by Harold Bauer on 18 December that year. It is dedicated to Debussy's daughter, Claude-Emma (known as Chou-Chou), who was three years old at the time. The pieces are not intended to be played by children; rather they are meant to be evocative of childhood and some of the toys in Claude-Emma's toy collection. In 1911, a brilliant orchestration of the work by Debussy's friend André Caplet received its première and was subsequently published. The title of the first movement alludes to Johann Joseph Fux's (1660-1741), Gradus ad Parnassum, the first 'counterpoint text' in the modern sense. The piece is actually a rather ingenious study in finger independence with a Twentieth Century vocabulary. In the middle section, the pianist slows down and tries his material in other keys. Debussy's Doctor Gradus Ad Parnassum is of intermediate difficulty but requires experienced fingers. The pianist gets wilder toward the end and finishes the piece with a bang.
i Doctor Gradus ad Parnassum: Modérément animé, 4/4 in C Major
Duration:
02:31
Independent parts:
27
Audio channels:
27
Stereo preview:
Score preview:
200 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/4horn, 2tr/2perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Debussy
Images i-Gigues(1-12, 152-163)
4*fl, 3*ob, ob d'amore, 4*cl, 4*bsn/4horn, 4tr, 3trb/timp, 1perc/strings
Modern
1909
Sectional
ORCH
Images pour orchestre is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of Images as a two-piano sequel to the first set of Images for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in another letter to Durand, he had begun to think of arranging the work for orchestra rather than two pianos. The original title of the first movement Gigues was Gigues tristes. Debussy used his memories of England as inspiration for the music, in addition to the song "Dansons la gigue" by Charles Bordes the Tyneside folk tune "The Keel Row".
i Gigues: Modéré 2/4 in A-flat Major
Duration:
00:43
Independent parts:
30
Audio channels:
57
Stereo preview:
Score preview:
210 KB PDF file
Instrumentation
4*fl, 3*ob, ob d'amore, 4*cl, 4*bsn/4horn, 4tr, 3trb/timp, 1perc/2harp, celesta/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dukas
L'Apprenti Sorcier, one large movement
3*fl, 2ob, 3*cl, 4*bsn/4horn, 4tr, 3trb/timp, 4perc/harp/strings
Early Modern
1897
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:33
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 3*cl, 4*bsn/4horn, 4tr, 3trb/timp, 4perc/harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Slavonic Dances op. 48, No. 8
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc/strings
Late Romantic
1878
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
NewWorld ii(1-5)
2cl, 2bsn/3horn, 2tr, 3trb, tuba
Late Romantic
1893
Adagio-Sonata Allegro
WW+piano
The Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178, popularly known as the New World Symphony, was composed by Antonín Dvo_ák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It is by far his most popular symphony, and one of the most popular of all symphonies. Neil Armstrong took a recording of the New World Symphony to the Moon during the Apollo 11 mission, the first Moon landing, in 1969. The second movement, Largo, opens with a series of dense chords before settling into the key of D-flat major for one of the most famous english horn tunes ever written, one that combines tenderness, nostalgia, and a sense of resolute hopefulness.
ii Largo, 4/4 in D-flat major and later C-sharp minor
This piece is reserved for teachers.
Duration:
00:31
Independent parts:
14
Audio channels:
15
Stereo preview:
Score preview:
60 KB PDF file
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, I. Adagio - Allegro molto
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:07
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, II. Largo
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
12:21
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, III. Molto vivace
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:45
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Dvorak
Symphony No. 9, IV. Allegro con fuoco
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Late Romantic
1893
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
11:07
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 3*ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 1perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, I. Theme: Andante
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:31
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, II. Variation 1: C. A. E. (The Composer's Wife)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:04
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, III. Variation 2: H. D. S-P. (Hew David Steuart-Powell)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:50
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, IV. Variation 3: R. B. T. (Richard Baxter Townshend)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:31
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, IX. Variation 8: W. N. (Winifred Norbury)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, V. Variation 4: W. M. B. (William Meath Baker)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:34
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, VI. Variation 5: R. P. A. (Richard Penrose Arnold)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:04
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, VII. Variation 6: Ysobel (Isabel Fitton)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:13
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, VIII. Variation 7: Troyte (Troyte Griffith)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:04
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, X. Variation 9: Nimrod (A. J. Jaeger)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:34
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XI. Variation 10: Intermezzo: Dorabella (Dora Penny)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:53
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XII. Variation 11: G. R. S. (George Robertson Sinclair)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
01:01
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XIII. Variation 12: B. G. N. (Basil G. Nevinson)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:57
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XIV. Variation 13: Romanza: *** (Lady Mary Lygon)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:02
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Enigma Variations, XV. Variation 14: Finale: E. D. U. (The Composer)
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Early Romantic
1898
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:01
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 3*bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Elgar
Pomp and Circumstance March, No. 1
3*fl, 2ob, 3*cl, 3*bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp, organ/strings
Early Modern
1901
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:05
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2ob, 3*cl, 3*bsn/4horn, 4tr, 3trb, tuba/timp, 4perc/2harp, organ/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Franck
Symphony in D minor, I. Lento; Allegro ma non troppo
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Romantic
1888
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
18:44
Independent parts:
0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Franck
Symphony in D minor, II. Allegretto
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Romantic
1888
Not Available
Public Domain
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Duration:
10:40
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Franck
Symphony in D minor, III. Finale: Allegro non troppo
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Romantic
1888
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:22
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2fl, 3*ob, 3*cl, 2bsn/4horn, 4tr, 3trb, tuba/harp/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Gershwin
Rhapsody in Blue, one large movement
2fl, 2ob, 3*cl, 2bsn/4horn, 3tr, 3trb, tuba/2altSax, tenSax/timp, 3perc, 2harp, banjo/strings/SOLO piano
Modern
1924
Not Available
Public Domain
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Duration:
13:52
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 3*cl, 2bsn/4horn, 3tr, 3trb, tuba/2altSax, tenSax/timp, 3perc, 2harp, banjo/strings/SOLO piano
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 1. Polonaise
2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
04:56
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0
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2 (Naxos)
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to be completed
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2fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 2. Nocturne Op. 15
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
04:30
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0
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2 (Naxos)
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
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to be completed
Glazunov
Chopiniana, 3. Mazurka
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:33
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0
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2 (Naxos)
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to be completed
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 4. Walzer
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:48
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0
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2 (Naxos)
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to be completed
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, 5. Tarentelle
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
03:38
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0
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2 (Naxos)
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Glazunov
Chopiniana, Nocturne Op. 15
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
Romantic
1892
Not Available
Public Domain
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Duration:
04:24
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0
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2 (Naxos)
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3*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb/timp, perc, harp/strings
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to be completed
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to be completed
Glinka
Ruslan and Ludmilla, Overture
2fl, 2ob, 2cl, *3bsn/4horn, 2tr, 3trb/timp/strings
Romantic
1837
Not Available
Public Domain
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Duration:
04:35
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0
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2 (Naxos)
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2fl, 2ob, 2cl, *3bsn/4horn, 2tr, 3trb/timp/strings
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to be completed
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to be completed
Goldsmith
The Illustrated Man: Main Title
full orchestra
Late 20th Century
1969
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Logan's Run, End of the City
full orchestra
Late 20th Century
1976
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Logan's Run, The Monument
full orchestra
Late 20th Century
1976
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Damnation Alley , End Title
full orchestra
Late 20th Century
1977
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Damnation Alley , Main Title
full orchestra
Late 20th Century
1977
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Capricorn One: Main Title
full orchestra
Late 20th Century
1978
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Alien: End Title
full orchestra
Late 20th Century
1979
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Star Trek, the Motion Picture: The Enterprise
full orchestra
Late 20th Century
1979
Not Available
No Score
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Duration:
00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
full orchestra
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to be completed
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to be completed
Goldsmith
Twilight Zone, the Movie: Overture
full orchestra
Late 20th Century
1983
Not Available
No Score
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Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
full orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Goldsmith
Total Recall: Main Title
full orchestra
Late 20th Century
1990
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
full orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Goldsmith
Star Trek: Voyager: Main Title
full orchestra
Late 20th Century
1995
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
full orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Goldsmith
Star Trek, "First Contact": End Title
full orchestra
Late 20th Century
1996
Not Available
No Score
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
full orchestra
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt (suite), I. Morning Mood
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:56
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt Suite, II. The Death of Aase
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:35
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt Suite, III. Anitra's Dance
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:31
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grieg
Peer Gynt Suite, IV. In the Hall of the Mountain King
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Romantic
1875
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:16
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 2cl, 2bsn/4horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Grisey
Partiels, one large movement
2*fl, *ob, 2*cl, basscl/2horn, trb/2perc, accordeon-organ/2vl, 2vla, vc, db
Late 20th Century
1975
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
22:04
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
2*fl, *ob, 2*cl, basscl/2horn, trb/2perc, accordeon-organ/2vl, 2vla, vc, db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Gubaidulina
Offertorium, one large movement
3*fl, 2ob, 3*cl, 2bsn/3horn, 3tr, 3trb, tuba/timp, 5perc/2hp/cel, pno/SOLO Vl, strings
Late 20th Century
1980
Not Available
Not Available
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
35:38
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
3*fl, 2ob, 3*cl, 2bsn/3horn, 3tr, 3trb, tuba/timp, 5perc/2hp/cel, pno/SOLO Vl, strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Messiah, Part I: Recitative: Comfort ye my people
Strings/Continuo/SOLO Tenor
Baroque
1741
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:11
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
Strings/Continuo/SOLO Tenor
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, I. Ouverture
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:44
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, II. Bouree
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:05
Independent parts:
0
Audio channels:
2 (Naxos)
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Score preview:
to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, III. La Paix
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:08
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, IV. La Rejouissance
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:41
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Handel
Royal Fireworks, V. Minuet I - Minuet II
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Baroque
1749
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:45
Independent parts:
0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
24(3)ob, 3(12)bsn/3(9)horn, 3(9)tr/timp(3), perc/cembalo/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 31 "Horn Signal", I. Allegro
fl, 2ob, 1bsn/4horn/strings
Classical
1765
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
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00:00
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0
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2 (Naxos)
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to be completed
Instrumentation
fl, 2ob, 1bsn/4horn/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph93 i(21-28)
Strings
Classical
1791
Sonata
ORCH+piano
The Symphony No. 93 in D major, Hoboken I/93, one of the twelve so-called London symphonies (numbers 93-104) written by Joseph Haydn. It was completed in 1791 as one of the set of symphonies completed for his first trip to London. It is in classical four movements.
i Adagio – Allegro assai, 3/4 in D Major
Duration:
00:12
Independent parts:
5
Audio channels:
7
Stereo preview:
Score preview:
79 KB PDF file
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 94 "Paukenschlag, Surprise", IV. Finale Allegro di molto
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1791
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:51
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph97 iii(1-8)
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Menuetto
ORCH
The Symphony No. 97 in C major, Hoboken I/97, is the fifth of the so-called twelve London Symphonies (numbers 93-104). It was completed in 1792 as part of the set of symphonies composed on Haydn's first trip to London. It was first performed at the Hanover Square Rooms in London on 3 or 4 May 1792. First published in England, it made its way to the continent a few years later and was used by Ludwig van Beethoven as a model for a symphony in C major he never completed.
iii Menuetto e Trio. Allegretto, 3/4 in C Major
Duration:
00:15
Independent parts:
16
Audio channels:
17
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Score preview:
76 KB PDF file
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
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to be completed
Haydn
Symph98 ii(1-10)
1fl, 2ob, 2bsn/2horn/strings
Classical
1792
Sonata
ORCH+piano
The Symphony No. 98 in B-flat major, Hoboken I/98, is the sixth of the so-called twelve London Symphonies (numbers 93–104) composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792. It follows the calssical four movements form.
ii Adagio, 3/4 in F Major
Duration:
00:50
Independent parts:
12
Audio channels:
14
Stereo preview:
Score preview:
86 KB PDF file
Instrumentation
1fl, 2ob, 2bsn/2horn, 2tr/timp/strings (hpsd solo end of iv)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), I. Adagio - Vivace
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:22
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
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to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), II. Adagio ma non troppo
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:47
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
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to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), III. Menuetto e Trio
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:50
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 97 (5th of 12 "London"), IV. Finale: Presto assai
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1792
Not Available
Public Domain
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Duration:
05:18
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
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to be completed
Haydn
Symph100Military ii(1-70)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp, 3perc/strings
Classical
1794
Ternary
ORCH+piano(1-8)
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve so-called London Symphonies written by Joseph Haydn and completed in 1793 or 1794 during his second trip to London. It is popularly known as the Military Symphony. The nickname "Military" derives from the second movement, which features prominent fanfares written for C-trumpets and percussion effects. The work is in standard classical four movement form.
ii Allegretto, 2/2 in C Major
Duration:
01:58
Independent parts:
20
Audio channels:
23
Stereo preview:
Score preview:
140 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph100Military iii(50-65)
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Menuetto
ORCH
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve so-called London Symphonies written by Joseph Haydn and completed in 1793 or 1794 during his second trip to London. It is popularly known as the Military Symphony. In contrast to Haydn's trend of speeding up his minuets, he slows here the pace of the third movement back to Moderato providing a more old-fashioned aristocratic minuet. The work is in standard classical four movement form.
iii Menuetto: Moderato, 3/4 in G Major
Duration:
00:22
Independent parts:
18
Audio channels:
17
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Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph101Clock iv(1-28)
Strings
Classical
1794
Rondo Sonata
ORCH+REDUC+piano
The Symphony No. 101 in D major (Hoboken 1/101) is the ninth of the twelve so-called London Symphonies written by Joseph Haydn. It is popularly known as The Clock because of the "ticking" rhythm throughout the second movement. The finale of the work is a monothematic rondo-sonata. This means that the main theme and the secondary theme are similar, or in this case, almost identical, and the main theme is played every time a theme ends. Haydn also builds a fugue into the last movement.
iv Finale. Vivace, 2/2 in D Major
Duration:
00:27
Independent parts:
5
Audio channels:
8
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Score preview:
78 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), I. Adagio - Presto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
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Duration:
08:00
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), II. Andante
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:56
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), III. Menuetto, Allegretto
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
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Duration:
07:22
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0
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2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 101 "The Clock" (9th of 12 "London"), IV. Finale, Vivace
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1794
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:35
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0
Audio channels:
2 (Naxos)
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to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph104London ii(1-8)
Strings
Classical
1795
Ternary
ORCH+piano
The Symphony No. 104 in D major (H. 1/104) is Joseph Haydn's final symphony. It is the last of the twelve so-called London Symphonies, and is known (somewhat arbitrarily, given the existence of eleven others) as the London Symphony. The second movement, in G major, opens with the main theme in the strings. A second section modulates to various other keys, including G minor and B flat major. The first section of music returns with a more prominent role given to the flute.
ii Andante, 2/4 in G Major
Duration:
00:40
Independent parts:
5
Audio channels:
7
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Score preview:
74 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symph104London iv(259-312)
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1795
Sonata
ORCH
The Symphony No. 104 in D major (H. 1/104) is Joseph Haydn's final symphony, composed in 1795. It is the last of the twelve so-called London Symphonies, and is known (somewhat arbitrarily, given the existence of eleven others) as the London Symphony. The exuberant finale is written in fast tempo and in sonata form.
iv Finale: Spiritoso, 4/4 in D Major
Duration:
00:47
Independent parts:
18
Audio channels:
19
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
Symphony No. 104, I. Adagio - Allegro
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Classical
1795
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
10:10
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2fl, 2ob, 2cl, 2bsn/2horn, 2tr/timp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
StrQuartetOp76no2 ii(1-4)
String Quartet
Classical
1797
Ternary Variation Form
STRINGS+REDUC+piano
This quartet in D minor is numbered as No. 61, No. 41 (in the FHE) and Hob.III:76. In a reference to the falling perfect fifths at its start, it is known as the Fifths (or, in German, die Quinten) quartet. The second movement is a ternary variation form in D major and 6/8 time.
ii Andante o più tosto allegretto in D Major
Duration:
00:34
Independent parts:
4
Audio channels:
7
Stereo preview:
Score preview:
65 KB PDF file
Instrumentation
String Quartet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
StrQuartetOp76no3 ii(excerpts 104 mes)
String Quartet
Classical
1797
Strophic Variation Form
STRINGS+REDUC
The Quartet No. 62 in C major, Op. 76, No. 3, boasts the nickname Emperor, because in the second movement is a set of variations on "Gott erhalte Franz den Kaiser" ("God Save Emperor Francis"), an anthem he wrote for Emperor Francis II. This same melody is known to modern listeners for its later use in the German national anthem, the Deutschlandlied.
ii Poco adagio; cantabile in G Major
Duration:
05:52
Independent parts:
4
Audio channels:
6
Stereo preview:
Score preview:
110 KB PDF file
Instrumentation
String Quartet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Haydn
StrQuartetOp76no3 iv(1-12)
String Quartet
Classical
1797
Sonata
STRINGS+REDUC+piano
The Quartet No. 62 in C major, Op. 76, No. 3, boasts the nickname Emperor, because in the second movement is a set of variations on "Gott erhalte Franz den Kaiser" ("God Save Emperor Francis"), an anthem he wrote for Emperor Francis II. This same melody is known to modern listeners for its later use in the German national anthem, the Deutschlandlied.
iv Finale Presto in C minor
Duration:
00:20
Independent parts:
4
Audio channels:
7
Stereo preview:
Score preview:
76 KB PDF file
Instrumentation
String Quartet
Orchestral effects
to be completed
Orchestration techniques
to be completed
Higdon
Percussion Concerto, one large movement
3fl, 3ob, 3cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, harp, piano/strings/SOLO Percussion
21st Century
2005
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
24:18
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3fl, 3ob, 3cl, 3bsn/4horn, 3tr, 3trb, tuba/timp, 3perc, harp, piano/strings/SOLO Percussion
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Viola Sonata, I. Fantasie
Vla/pno
Modern
1919
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:12
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Vla/pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Viola Sonata, II. Thema mit Variationen
Vla/pno
Modern
1919
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:31
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Vla/pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Viola Sonata, III. Finale (mit Variationen)
Vla/pno
Modern
1919
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:51
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
Vla/pno
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Symphonie Mathis der Maler, I. Engelkonzert
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Modern
1934
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:23
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Symphonie Mathis der Maler, II. Grabelung
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Modern
1934
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
04:09
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Symphonie Mathis der Maler, III. Versuching des heiligen Antonius
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Modern
1934
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
13:12
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 3perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Der Schwanendreher, 1. Zwischen Berg un tiefem Tal
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:10
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Der Schwanendreher, 2. Nun laube, Lindlein, laube!
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Der Schwanendreher, 3. Variationen "Seid ihr nicht der Schawendreher"
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Modern
1935
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:49
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
SOLOvla/2*fl, 1ob, 2cl, 2bsn/3horn, 1tr, 1trb/2timp, harp/4vc, 3db
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Nobilissima Visione, 1. Einleitung und Rondo
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1938
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:46
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Nobilissima Visione, 2. Marsch und Pastorale
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1938
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:56
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Nobilissima Visione, 3. Passacaglia
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1938
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:39
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
2*fl, 2ob, 2cl, 2bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, I. Allegro
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, II. Scherzo
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, III. Andantino
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Hindemith
Sinfonische Metamorphosen, IV. Marsch
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Modern
1943
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
00:00
Independent parts:
0
Audio channels:
2 (stereo)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 3*ob, 3*cl, 3*bsn/4horn, 2tr, 3trb, tuba/timp, 4perc/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, I.Mars, the Bringer of War
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, II.Venus, the Bringer of Peace
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:25
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, III.Mercury, the Winged Messenger
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, IV.Jupiter, the Bringer of Jollity
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:16
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, V.Saturn, the Bringer of Old Age
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
09:52
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, VI.Uranus, the Magician
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:37
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Holst
The Planets, VII.Neptune, the Mystic
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Modern
1914
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:02
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 4*ob, 4*cl, 4*bsn/6horn, 4tr, 3trb, tentuba, tuba/2timp, 4perc/2harp, celesta, organ/strings/Choir(women)
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ives
Three Places in New England, I.The St. Gaudens in Boston Common
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Early Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
08:34
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ives
Three Places in New England, II.Putnam's Camp, Redding, Connecticut
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:58
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Ives
Three Places in New England, III.The Housatonic at Stockbridge
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Early Modern
1911
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
03:47
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
3*fl, 2*ob, 2cl, 3*bsn/4horn, 2tr, 3trb. tuba/timp, 4perc/2harp, pno+celesta, org(opt)/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, I. Allegretto
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:17
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, II. Andante
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
06:07
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, III. Moderato
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
05:22
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, IV. Allegretto-Presto-Adagio-Prestissimo
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
02:59
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Janacek
Sinfonietta, V. Allegro-Allegretto-Allegro-Adagio
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Modern
1926
Not Available
Public Domain
This content is exclusive to academic institutions and should only be used for pedagogical purposes.
Duration:
07:16
Independent parts:
0
Audio channels:
2 (Naxos)
Stereo preview:
Score preview:
to be completed
Instrumentation
4*fl, 2ob, 2cl, basscl, 2bsn/2horn, 14tr, 4trb, 3tuba/timp, 2perc, harp/strings
Orchestral effects
to be completed
Orchestration techniques
to be completed
Jodlowski
Time & Money, one movement
SOLOperc+electronics
21st Century
2006
Not Available
Not Available
